EDITORIAL EXPLOSION by Gabriela COCA

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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

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THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART by Gabriela COCA

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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW - by Gabriela Coca

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GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

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THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

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THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

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