O poder de denúncia do cordel no cinema: O romance do vaqueiro voador, de João Bosco Bezerra Bonfim e Manfredo Caldas
The movie O romance do vaqueiro voador, by Manfredo Caldas, is built departing from the homonymous cordel by João Bosco Bezerra Bonfim – which, on its turn, was inspired by the documentary Brasília segundo Feldman, by Vladimir Carvalho – aiming to tell, denounce and remember the tragedy the building...
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Main Author: | |
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Format: | Article |
Language: | Spanish |
Published: |
Universidade de Brasília
2010-01-01
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Series: | Estudos de Literatura Brasileira Contemporânea |
Subjects: | |
Online Access: | http://www.redalyc.org/articulo.oa?id=323127099009 |
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Summary: | The movie O romance do vaqueiro voador, by Manfredo Caldas, is built departing from the homonymous cordel by João Bosco Bezerra Bonfim – which, on its turn, was inspired by the documentary Brasília segundo Feldman, by Vladimir Carvalho – aiming to tell, denounce and remember the tragedy the building of the city was. This article aims to discuss some questions: why choose as a character a pot cowboy to wander in the places of the tragedy? Why use a cordel to give origin to another movie? |
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ISSN: | 1518-0158 2316-4018 |