Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks
Concurrent with the expansion of visual culture, film tourism has experienced a significant boost in recent decades, and the motivation to visit places where series made for television or similar platforms were filmed has been added to this modality. In this context, and taking the city of Madrid a...
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Format: | Article |
Language: | English |
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Asociación Española de Geografía
2022-12-01
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Series: | Boletín de la Asociación de Geógrafos Españoles |
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Online Access: | https://bage.age-geografia.es/ojs/index.php/bage/article/view/3294 |
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author | Diego Antonio Barrado-Timon Carmen Hidalgo-Giralt Antonio Palacios-García Héctor Ochoa-Ortiz Miguel Sevilla-Callejo |
author_facet | Diego Antonio Barrado-Timon Carmen Hidalgo-Giralt Antonio Palacios-García Héctor Ochoa-Ortiz Miguel Sevilla-Callejo |
author_sort | Diego Antonio Barrado-Timon |
collection | DOAJ |
description |
Concurrent with the expansion of visual culture, film tourism has experienced a significant boost in recent decades, and the motivation to visit places where series made for television or similar platforms were filmed has been added to this modality. In this context, and taking the city of Madrid as a reference, this work proposes a line of research wherein analysis of the relationships between geographical and audiovisual spaces through cultural and tourist use unites the representation of both, by way of social networks (specifically, Twitter). As regards methodology, an ‘application programming interface’ has been designed which permits the download of a sample of tweets useful for both quantitative and qualitative analysis. The main results indicate the impacts that fiction series have had on recognition of the city (or certain of its elements) as well as relationships established between the narrative and geographical spaces when the latter are referenced via on-site activities. Theoretically, this research focuses on the relationship between real geographies, imagined geographies, and simulacra, as well as their involvement in the commodification of space and in the construction of vicarious geographical experiences.
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format | Article |
id | doaj-art-0a71c5ebe91a4910aea73f829d5978d0 |
institution | Kabale University |
issn | 0212-9426 2605-3322 |
language | English |
publishDate | 2022-12-01 |
publisher | Asociación Española de Geografía |
record_format | Article |
series | Boletín de la Asociación de Geógrafos Españoles |
spelling | doaj-art-0a71c5ebe91a4910aea73f829d5978d02025-02-10T20:39:08ZengAsociación Española de GeografíaBoletín de la Asociación de Geógrafos Españoles0212-94262605-33222022-12-019510.21138/bage.3294Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks Diego Antonio Barrado-Timon0Carmen Hidalgo-Giralt1Antonio Palacios-García2Héctor Ochoa-Ortiz3Miguel Sevilla-Callejo4Universidad Autónoma de MadridUniversidad Autónoma de MadridUniversidad Autónoma de MadridTechnische Universität MünchenConsejo Superior de Investigaciones Científicas Concurrent with the expansion of visual culture, film tourism has experienced a significant boost in recent decades, and the motivation to visit places where series made for television or similar platforms were filmed has been added to this modality. In this context, and taking the city of Madrid as a reference, this work proposes a line of research wherein analysis of the relationships between geographical and audiovisual spaces through cultural and tourist use unites the representation of both, by way of social networks (specifically, Twitter). As regards methodology, an ‘application programming interface’ has been designed which permits the download of a sample of tweets useful for both quantitative and qualitative analysis. The main results indicate the impacts that fiction series have had on recognition of the city (or certain of its elements) as well as relationships established between the narrative and geographical spaces when the latter are referenced via on-site activities. Theoretically, this research focuses on the relationship between real geographies, imagined geographies, and simulacra, as well as their involvement in the commodification of space and in the construction of vicarious geographical experiences. https://bage.age-geografia.es/ojs/index.php/bage/article/view/3294series (screen) tourismfilm tourismaudiovisual platformsurban marketing |
spellingShingle | Diego Antonio Barrado-Timon Carmen Hidalgo-Giralt Antonio Palacios-García Héctor Ochoa-Ortiz Miguel Sevilla-Callejo Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks Boletín de la Asociación de Geógrafos Españoles series (screen) tourism film tourism audiovisual platforms urban marketing |
title | Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks |
title_full | Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks |
title_fullStr | Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks |
title_full_unstemmed | Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks |
title_short | Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks |
title_sort | perception of the filmed urban space an analysis of the imaginaries of madrid constructed through series and social networks |
topic | series (screen) tourism film tourism audiovisual platforms urban marketing |
url | https://bage.age-geografia.es/ojs/index.php/bage/article/view/3294 |
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