Cinco mulheres: vozes em ricochete
Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”...
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Main Author: | |
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Format: | Article |
Language: | Spanish |
Published: |
Universidade de Brasília
2013-01-01
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Series: | Estudos de Literatura Brasileira Contemporânea |
Subjects: | |
Online Access: | http://www.redalyc.org/articulo.oa?id=323127374002 |
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Summary: | Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader. |
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ISSN: | 1518-0158 2316-4018 |