Cinco mulheres: vozes em ricochete
Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”...
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| Format: | Article |
| Language: | Spanish |
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Universidade de Brasília
2013-01-01
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| Series: | Estudos de Literatura Brasileira Contemporânea |
| Subjects: | |
| Online Access: | http://www.redalyc.org/articulo.oa?id=323127374002 |
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| _version_ | 1825201653335195648 |
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| author | Ivete Lara Camargos Walty |
| author_facet | Ivete Lara Camargos Walty |
| author_sort | Ivete Lara Camargos Walty |
| collection | DOAJ |
| description | Marcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader. |
| format | Article |
| id | doaj-art-0ede3ad1d99c40648cad025bf24ba645 |
| institution | Kabale University |
| issn | 1518-0158 2316-4018 |
| language | Spanish |
| publishDate | 2013-01-01 |
| publisher | Universidade de Brasília |
| record_format | Article |
| series | Estudos de Literatura Brasileira Contemporânea |
| spelling | doaj-art-0ede3ad1d99c40648cad025bf24ba6452025-02-07T19:44:35ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182013-01-01411731Cinco mulheres: vozes em ricocheteIvete Lara Camargos WaltyMarcelino Freire, whose character moves between the countryside and the city, has been writing as one who hears the others, exercising alterity. Taking as a start- ing point the texts’ enunciation and inscenation dynamics, this work aims to fol- low the path of five poor women, “Muribeca”, “Comadre”, “Darluz”, “Da Paz” and “Totonha”, pointing to the tension exposed between the social voices pre- sented and the author ́s voice. The latter comes as the result of strategies used in the composing of an explicitly interlocutory writing, which includes the reader.http://www.redalyc.org/articulo.oa?id=323127374002enunciationencenationpovertyalterity |
| spellingShingle | Ivete Lara Camargos Walty Cinco mulheres: vozes em ricochete Estudos de Literatura Brasileira Contemporânea enunciation encenation poverty alterity |
| title | Cinco mulheres: vozes em ricochete |
| title_full | Cinco mulheres: vozes em ricochete |
| title_fullStr | Cinco mulheres: vozes em ricochete |
| title_full_unstemmed | Cinco mulheres: vozes em ricochete |
| title_short | Cinco mulheres: vozes em ricochete |
| title_sort | cinco mulheres vozes em ricochete |
| topic | enunciation encenation poverty alterity |
| url | http://www.redalyc.org/articulo.oa?id=323127374002 |
| work_keys_str_mv | AT ivetelaracamargoswalty cincomulheresvozesemricochete |