Jak Gaja Grzegorzewska skampowała powieść kryminalną

In 2006 Gaja Grzegorzewska published the first novel (out of six, as per 2024) on the adventures of Julia Dobrowolska, a private eye. Polish critics have acknowledged the series for hybridizing the crime genre with romance and exploring the subject of gender and sexual identity within this generic f...

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Main Author: Magdalena Tosik
Format: Article
Language:deu
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-02-01
Series:Literatura i Kultura Popularna
Subjects:
Online Access:https://wuwr.pl/lkp/article/view/17815
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author Magdalena Tosik
author_facet Magdalena Tosik
author_sort Magdalena Tosik
collection DOAJ
description In 2006 Gaja Grzegorzewska published the first novel (out of six, as per 2024) on the adventures of Julia Dobrowolska, a private eye. Polish critics have acknowledged the series for hybridizing the crime genre with romance and exploring the subject of gender and sexual identity within this generic framework. In my reading of the Dobrowolska series I argue that the way in which the female detective adapts to the gender stereotypes of this profession (traditionally considered as male-dominant) results in introducing camp aesthetics into the series by the means of play with the ‘male gaze’ that is intrinsic to the hard-boiled genre. The paper intends to investigate how Grzegorzewska dismantles the tradition of hard-boiled fiction and re-writes it accordingly to make her female character plausible in this particular literary context through the means of camp aesthetics.
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institution Kabale University
issn 0867-7441
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language deu
publishDate 2025-02-01
publisher Wydawnictwo Uniwersytetu Wrocławskiego
record_format Article
series Literatura i Kultura Popularna
spelling doaj-art-219cb65068874c5ea12b97856f782cbb2025-02-07T11:06:53ZdeuWydawnictwo Uniwersytetu WrocławskiegoLiteratura i Kultura Popularna0867-74412957-241X2025-02-013019920910.19195/0867-7441.30.1519584Jak Gaja Grzegorzewska skampowała powieść kryminalnąMagdalena Tosikhttps://orcid.org/0000-0002-2650-5504In 2006 Gaja Grzegorzewska published the first novel (out of six, as per 2024) on the adventures of Julia Dobrowolska, a private eye. Polish critics have acknowledged the series for hybridizing the crime genre with romance and exploring the subject of gender and sexual identity within this generic framework. In my reading of the Dobrowolska series I argue that the way in which the female detective adapts to the gender stereotypes of this profession (traditionally considered as male-dominant) results in introducing camp aesthetics into the series by the means of play with the ‘male gaze’ that is intrinsic to the hard-boiled genre. The paper intends to investigate how Grzegorzewska dismantles the tradition of hard-boiled fiction and re-writes it accordingly to make her female character plausible in this particular literary context through the means of camp aesthetics.https://wuwr.pl/lkp/article/view/17815powieść noirkampgra z konwencjątożsamość kulturowamęskie spojrzeniegaja grzegorzewska
spellingShingle Magdalena Tosik
Jak Gaja Grzegorzewska skampowała powieść kryminalną
Literatura i Kultura Popularna
powieść noir
kamp
gra z konwencją
tożsamość kulturowa
męskie spojrzenie
gaja grzegorzewska
title Jak Gaja Grzegorzewska skampowała powieść kryminalną
title_full Jak Gaja Grzegorzewska skampowała powieść kryminalną
title_fullStr Jak Gaja Grzegorzewska skampowała powieść kryminalną
title_full_unstemmed Jak Gaja Grzegorzewska skampowała powieść kryminalną
title_short Jak Gaja Grzegorzewska skampowała powieść kryminalną
title_sort jak gaja grzegorzewska skampowala powiesc kryminalna
topic powieść noir
kamp
gra z konwencją
tożsamość kulturowa
męskie spojrzenie
gaja grzegorzewska
url https://wuwr.pl/lkp/article/view/17815
work_keys_str_mv AT magdalenatosik jakgajagrzegorzewskaskampowałapowiesckryminalna