Specifics of irony in selected novels by Rudolf Sloboda

Irony is not a simple semantic polarization – it touches on all aspects of a literary text, places them in a state of flux and creates additional layers of meaning. One of its variations is so-called romantic irony, characterized by the tension between the ideal and reality, where the resulting “sup...

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Main Author: Romana Antalová
Format: Article
Language:ces
Published: Slovak Academy of Sciences, Institute of Slovak Literature 2025-02-01
Series:Slovenska Literatura
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Online Access:https://www.sav.sk/journals/uploads/02052056SL_01-25-03.pdf
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author Romana Antalová
author_facet Romana Antalová
author_sort Romana Antalová
collection DOAJ
description Irony is not a simple semantic polarization – it touches on all aspects of a literary text, places them in a state of flux and creates additional layers of meaning. One of its variations is so-called romantic irony, characterized by the tension between the ideal and reality, where the resulting “superstructural” layer of meaning essentially expresses a sense of restlessness or disquiet. This type of irony is also marked by the re-evaluation of the high and the low. Romantic irony was employed by the prose writer Rudolf Sloboda (1938 – 1995). The article examines the specifics of the irony that can be observed in the novels Narcis (Narcissus, 1965) and Rozum (Reason, 1982). It focuses primarily on the contradictions in the expectations and actions of the protagonists, which are common to both novels. The article also considers the use of parabase, which, in combination with the fragmentary nature of the text, leads to a weakening of narrativity – one of the fundamental characteristics of Sloboda’s novelistic work. Another aspect analysed is the subversive effect of irony.
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spelling doaj-art-2ea2cdbaaabb429d8213dbc1af193edf2025-02-06T16:36:05ZcesSlovak Academy of Sciences, Institute of Slovak LiteratureSlovenska Literatura0037-69732025-02-01721324510.31577/slovlit.2025.72.1.3Specifics of irony in selected novels by Rudolf SlobodaRomana Antalová0https://orcid.org/0009-0006-2950-7667PdF TU, TrnavaIrony is not a simple semantic polarization – it touches on all aspects of a literary text, places them in a state of flux and creates additional layers of meaning. One of its variations is so-called romantic irony, characterized by the tension between the ideal and reality, where the resulting “superstructural” layer of meaning essentially expresses a sense of restlessness or disquiet. This type of irony is also marked by the re-evaluation of the high and the low. Romantic irony was employed by the prose writer Rudolf Sloboda (1938 – 1995). The article examines the specifics of the irony that can be observed in the novels Narcis (Narcissus, 1965) and Rozum (Reason, 1982). It focuses primarily on the contradictions in the expectations and actions of the protagonists, which are common to both novels. The article also considers the use of parabase, which, in combination with the fragmentary nature of the text, leads to a weakening of narrativity – one of the fundamental characteristics of Sloboda’s novelistic work. Another aspect analysed is the subversive effect of irony.https://www.sav.sk/journals/uploads/02052056SL_01-25-03.pdfrudolf slobodaironyromantic ironysubject
spellingShingle Romana Antalová
Specifics of irony in selected novels by Rudolf Sloboda
Slovenska Literatura
rudolf sloboda
irony
romantic irony
subject
title Specifics of irony in selected novels by Rudolf Sloboda
title_full Specifics of irony in selected novels by Rudolf Sloboda
title_fullStr Specifics of irony in selected novels by Rudolf Sloboda
title_full_unstemmed Specifics of irony in selected novels by Rudolf Sloboda
title_short Specifics of irony in selected novels by Rudolf Sloboda
title_sort specifics of irony in selected novels by rudolf sloboda
topic rudolf sloboda
irony
romantic irony
subject
url https://www.sav.sk/journals/uploads/02052056SL_01-25-03.pdf
work_keys_str_mv AT romanaantalova specificsofironyinselectednovelsbyrudolfsloboda