« Paysages avec figures absentes » : La peinture d’Elsa Maldiney
Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from...
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| Format: | Article |
| Language: | fra |
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Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011-01-01
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| Series: | Projets de Paysage |
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| Online Access: | https://journals.openedition.org/paysage/21684 |
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| _version_ | 1832095985512218624 |
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| author | Éliane Escoubas |
| author_facet | Éliane Escoubas |
| author_sort | Éliane Escoubas |
| collection | DOAJ |
| description | Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm. |
| format | Article |
| id | doaj-art-366081ec9ca24867a47a01f47694c769 |
| institution | Kabale University |
| issn | 1969-6124 |
| language | fra |
| publishDate | 2011-01-01 |
| publisher | Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
| record_format | Article |
| series | Projets de Paysage |
| spelling | doaj-art-366081ec9ca24867a47a01f47694c7692025-02-05T16:21:09ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242011-01-01510.4000/paysage.21684« Paysages avec figures absentes » : La peinture d’Elsa MaldineyÉliane EscoubasElsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm.https://journals.openedition.org/paysage/21684rhythmElsa Maldineylandscape-showlandscape-milieuabstraction |
| spellingShingle | Éliane Escoubas « Paysages avec figures absentes » : La peinture d’Elsa Maldiney Projets de Paysage rhythm Elsa Maldiney landscape-show landscape-milieu abstraction |
| title | « Paysages avec figures absentes » : La peinture d’Elsa Maldiney |
| title_full | « Paysages avec figures absentes » : La peinture d’Elsa Maldiney |
| title_fullStr | « Paysages avec figures absentes » : La peinture d’Elsa Maldiney |
| title_full_unstemmed | « Paysages avec figures absentes » : La peinture d’Elsa Maldiney |
| title_short | « Paysages avec figures absentes » : La peinture d’Elsa Maldiney |
| title_sort | paysages avec figures absentes la peinture d elsa maldiney |
| topic | rhythm Elsa Maldiney landscape-show landscape-milieu abstraction |
| url | https://journals.openedition.org/paysage/21684 |
| work_keys_str_mv | AT elianeescoubas paysagesavecfiguresabsenteslapeinturedelsamaldiney |