LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE
The Comic Mask of the Opera in the Italy of the 18th century. Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. These make the serious scenes to constantly mix with various comic...
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Language: | English |
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Babeș-Bolyai University
2013-06-01
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Series: | Studia Universitatis Babeş-Bolyai. Musica |
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Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8872 |
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author | Diana TODEA |
author_facet | Diana TODEA |
author_sort | Diana TODEA |
collection | DOAJ |
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The Comic Mask of the Opera in the Italy of the 18th century. Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. These make the serious scenes to constantly mix with various comic episodes. This approach is maintained until the early eighteenth century, when the former dramma per musica, which aimed to be entertainment for the aristocracy, removes from its librettos the comic element that is found to be irrelevant to the topic and not in accordance with the tragic style. During this period there was emphasised the need for the retrieval of verisimilitude and simplicity which were to be found in the comic opera emerged from the common people. These two trends will mark the final separation between the serious and comic styles that will begin to develop from now on towards two independent types, opera seria and comic opera.
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format | Article |
id | doaj-art-36db5be66d4b40ebb51f6f06def1c1f8 |
institution | Kabale University |
issn | 1844-4369 2065-9628 |
language | English |
publishDate | 2013-06-01 |
publisher | Babeș-Bolyai University |
record_format | Article |
series | Studia Universitatis Babeş-Bolyai. Musica |
spelling | doaj-art-36db5be66d4b40ebb51f6f06def1c1f82025-02-11T11:01:13ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-06-01581LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLEDiana TODEA0https://orcid.org/0000-0003-3478-5865Faculty of Psychology and Educational Sciences, Babeş-Bolyai University, Cluj-Napoca, Romania. Email: [email protected] The Comic Mask of the Opera in the Italy of the 18th century. Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. These make the serious scenes to constantly mix with various comic episodes. This approach is maintained until the early eighteenth century, when the former dramma per musica, which aimed to be entertainment for the aristocracy, removes from its librettos the comic element that is found to be irrelevant to the topic and not in accordance with the tragic style. During this period there was emphasised the need for the retrieval of verisimilitude and simplicity which were to be found in the comic opera emerged from the common people. These two trends will mark the final separation between the serious and comic styles that will begin to develop from now on towards two independent types, opera seria and comic opera. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8872opera buffaintermezzocommedia per musicadramatic ensemblesstaging opera buffa |
spellingShingle | Diana TODEA LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE Studia Universitatis Babeş-Bolyai. Musica opera buffa intermezzo commedia per musica dramatic ensembles staging opera buffa |
title | LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE |
title_full | LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE |
title_fullStr | LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE |
title_full_unstemmed | LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE |
title_short | LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE |
title_sort | le masque comique de l opera dans l italie du xviiie siecle |
topic | opera buffa intermezzo commedia per musica dramatic ensembles staging opera buffa |
url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8872 |
work_keys_str_mv | AT dianatodea lemasquecomiquedeloperadanslitalieduxviiiesiecle |