CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS
Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major change...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2011-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8908 |
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| _version_ | 1823858474290774016 |
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| author | Aaron FAZAKAS |
| author_facet | Aaron FAZAKAS |
| author_sort | Aaron FAZAKAS |
| collection | DOAJ |
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Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view.
Conceived to serve different aesthetic and dramatic principles and shaped according to other structural patterns, stylistic concepts etc., the analytic patterns successfully used to examine/study independent music can no longer be used for this “newborn” musical genre called the music of the sound film.
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| format | Article |
| id | doaj-art-419f42ce0a79481596df832235767b69 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2011-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-419f42ce0a79481596df832235767b692025-02-11T11:01:37ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282011-06-01561CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMSAaron FAZAKAS0Assistant Professor, Phd., at the Sapientia University of Cluj-Napoca, Faculty of Science and Arts, Department of Cinematography, Photography and Media, RO-400112, Cluj-Napoca, str. Matei Corvin nr. 4. E-mail: [email protected] Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. Conceived to serve different aesthetic and dramatic principles and shaped according to other structural patterns, stylistic concepts etc., the analytic patterns successfully used to examine/study independent music can no longer be used for this “newborn” musical genre called the music of the sound film. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8908concert musicfilm musicCoplandsynthetic arts |
| spellingShingle | Aaron FAZAKAS CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS Studia Universitatis Babeş-Bolyai. Musica concert music film music Copland synthetic arts |
| title | CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS |
| title_full | CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS |
| title_fullStr | CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS |
| title_full_unstemmed | CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS |
| title_short | CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS |
| title_sort | concert music versus the music of the sound films |
| topic | concert music film music Copland synthetic arts |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8908 |
| work_keys_str_mv | AT aaronfazakas concertmusicversusthemusicofthesoundfilms |