GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS

The appearance of the hymns of the German Protestantism in Hungary were clear and reasonable from theological and practical points of view of as well. This essay discusses the hymns and does not draw a distinction between the text writer Luther and the melody writer Luther or other German hymn writ...

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Main Author: Ágnes TÖRÖK
Format: Article
Language:English
Published: Babeș-Bolyai University 2014-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8806
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author Ágnes TÖRÖK
author_facet Ágnes TÖRÖK
author_sort Ágnes TÖRÖK
collection DOAJ
description The appearance of the hymns of the German Protestantism in Hungary were clear and reasonable from theological and practical points of view of as well. This essay discusses the hymns and does not draw a distinction between the text writer Luther and the melody writer Luther or other German hymn writer priests. On the basis of István Gálszécsi’s and Gallus Huszár’s Hymnal this essay proves that the majority of the foreign melodies of the sixteenth century Hungarian Protestant song-material shows German relations despite some of today’s conclusions. When comparing vernacular songs we can draw up conclusions about their origins only through clear-cut differences. By identifying the possible German sources the proportion of the German and Hungarian chants can be defined well.
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publisher Babeș-Bolyai University
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-43545b22047445269a7c205b85da11f22025-02-11T11:01:05ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-06-01591GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNSÁgnes TÖRÖK0https://orcid.org/0000-0003-0536-6215Music Faculty of Debrecen University. E-mail: [email protected] The appearance of the hymns of the German Protestantism in Hungary were clear and reasonable from theological and practical points of view of as well. This essay discusses the hymns and does not draw a distinction between the text writer Luther and the melody writer Luther or other German hymn writer priests. On the basis of István Gálszécsi’s and Gallus Huszár’s Hymnal this essay proves that the majority of the foreign melodies of the sixteenth century Hungarian Protestant song-material shows German relations despite some of today’s conclusions. When comparing vernacular songs we can draw up conclusions about their origins only through clear-cut differences. By identifying the possible German sources the proportion of the German and Hungarian chants can be defined well. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8806LutherGallus HuszárIstván GálszécsiGerman pattern melodyGregorianHungarian translation
spellingShingle Ágnes TÖRÖK
GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
Studia Universitatis Babeş-Bolyai. Musica
Luther
Gallus Huszár
István Gálszécsi
German pattern melody
Gregorian
Hungarian translation
title GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
title_full GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
title_fullStr GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
title_full_unstemmed GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
title_short GERMAN PATTERN MELODIES OF THE 16ᵀᴴ CENTURY PROTESTANT HUNGARIAN HYMNS
title_sort german pattern melodies of the 16ᵀᴴ century protestant hungarian hymns
topic Luther
Gallus Huszár
István Gálszécsi
German pattern melody
Gregorian
Hungarian translation
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8806
work_keys_str_mv AT agnestorok germanpatternmelodiesofthe16thcenturyprotestanthungarianhymns