DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT
The Presence of the Valuable Features Macabre-Obstiné in the Late Piano Creations by Franz Liszt. This paper proposes to analyze those procedures, compositional techniques and means of artistic expression of Franz Liszt, which are aimed to reflect and to embody the ethical and aesthetic values of m...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Babeș-Bolyai University
2013-06-01
|
| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8853 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1823858476368003072 |
|---|---|
| author | Miklós FEKETE |
| author_facet | Miklós FEKETE |
| author_sort | Miklós FEKETE |
| collection | DOAJ |
| description |
The Presence of the Valuable Features Macabre-Obstiné in the Late Piano Creations by Franz Liszt. This paper proposes to analyze those procedures, compositional techniques and means of artistic expression of Franz Liszt, which are aimed to reflect and to embody the ethical and aesthetic values of macabre and obstiné. The analyzed opuses are four piano dances, dating from Liszt’s late composition period. The piano pieces are: Csárdás macabre, Csárdás obstiné, Mephisto-Walzer Nr. 3 and Bagatelle sans tonalité. These laconic, concentrated and bizarre compositions show also a diabolical virtuosity, due to their Mephistophelian program. A few of the compositional techniques used for the musical expression of the macabre and obstiné character are already known from the Wiemar-period, but there are a few new lisztian procedures, which occur in these late pieces, and which increase progressively the distances between his style and Romanticism.
|
| format | Article |
| id | doaj-art-4788d10b3c594ce0a6c16a1d4d45cf1e |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2013-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-4788d10b3c594ce0a6c16a1d4d45cf1e2025-02-11T11:01:14ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-06-01581DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZTMiklós FEKETE0https://orcid.org/0000-0002-1938-0600Department of Reformed Theology and Musical Pedagogy, Faculty of Reformed Theology, Babeş-Bolyai University, Cluj-Napoca, Romania. Email: [email protected] The Presence of the Valuable Features Macabre-Obstiné in the Late Piano Creations by Franz Liszt. This paper proposes to analyze those procedures, compositional techniques and means of artistic expression of Franz Liszt, which are aimed to reflect and to embody the ethical and aesthetic values of macabre and obstiné. The analyzed opuses are four piano dances, dating from Liszt’s late composition period. The piano pieces are: Csárdás macabre, Csárdás obstiné, Mephisto-Walzer Nr. 3 and Bagatelle sans tonalité. These laconic, concentrated and bizarre compositions show also a diabolical virtuosity, due to their Mephistophelian program. A few of the compositional techniques used for the musical expression of the macabre and obstiné character are already known from the Wiemar-period, but there are a few new lisztian procedures, which occur in these late pieces, and which increase progressively the distances between his style and Romanticism. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8853Franz Lisztlate piano worksstylemusical analysisaesthetic values |
| spellingShingle | Miklós FEKETE DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT Studia Universitatis Babeş-Bolyai. Musica Franz Liszt late piano works style musical analysis aesthetic values |
| title | DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT |
| title_full | DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT |
| title_fullStr | DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT |
| title_full_unstemmed | DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT |
| title_short | DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT |
| title_sort | die prasenz der wertlichen charakteristik macabre obstine in den spaten klavierwerken von franz liszt |
| topic | Franz Liszt late piano works style musical analysis aesthetic values |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8853 |
| work_keys_str_mv | AT miklosfekete dieprasenzderwertlichencharakteristikmacabreobstineindenspatenklavierwerkenvonfranzliszt |