OPERA AND FILM – AN UNLIKELY MARRIAGE
The aim of the following study is to analyze the manner in which opera music influenced film and became a crucial building block of certain cinematic narratives, in such films as Jonathan Demme’s Philadephia (USA, 1993), Luc Besson’s The Fifth Element (France, 1997) and Liliana Cavani’s Il portiere...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2013-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8852 |
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| _version_ | 1823858482118393856 |
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| author | Julianna KÖPECZI |
| author_facet | Julianna KÖPECZI |
| author_sort | Julianna KÖPECZI |
| collection | DOAJ |
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The aim of the following study is to analyze the manner in which opera music influenced film and became a crucial building block of certain cinematic narratives, in such films as Jonathan Demme’s Philadephia (USA, 1993), Luc Besson’s The Fifth Element (France, 1997) and Liliana Cavani’s Il portiere di note / The Night Porter (Italy, 1974). By revealing the correspondence between these audiovisual mediums and examining the common language used by them we intent to reveal numerous facets of this symbiotic relationship, all put in the service of lending meaning to the film, thus making the viewer’s escapist adventure truly unique.
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| format | Article |
| id | doaj-art-5ad06aeff4f64385bf10ef038f134c14 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2013-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-5ad06aeff4f64385bf10ef038f134c142025-02-11T11:01:08ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-12-01582OPERA AND FILM – AN UNLIKELY MARRIAGEJulianna KÖPECZI0Transatlantic Studies Masters Program Student, Babeş-Bolyai University, Cluj-Napoca. E-mail: [email protected] The aim of the following study is to analyze the manner in which opera music influenced film and became a crucial building block of certain cinematic narratives, in such films as Jonathan Demme’s Philadephia (USA, 1993), Luc Besson’s The Fifth Element (France, 1997) and Liliana Cavani’s Il portiere di note / The Night Porter (Italy, 1974). By revealing the correspondence between these audiovisual mediums and examining the common language used by them we intent to reveal numerous facets of this symbiotic relationship, all put in the service of lending meaning to the film, thus making the viewer’s escapist adventure truly unique. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8852operafilmmusicnarrativecorrespondencemeaning |
| spellingShingle | Julianna KÖPECZI OPERA AND FILM – AN UNLIKELY MARRIAGE Studia Universitatis Babeş-Bolyai. Musica opera film music narrative correspondence meaning |
| title | OPERA AND FILM – AN UNLIKELY MARRIAGE |
| title_full | OPERA AND FILM – AN UNLIKELY MARRIAGE |
| title_fullStr | OPERA AND FILM – AN UNLIKELY MARRIAGE |
| title_full_unstemmed | OPERA AND FILM – AN UNLIKELY MARRIAGE |
| title_short | OPERA AND FILM – AN UNLIKELY MARRIAGE |
| title_sort | opera and film an unlikely marriage |
| topic | opera film music narrative correspondence meaning |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8852 |
| work_keys_str_mv | AT juliannakopeczi operaandfilmanunlikelymarriage |