DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“

The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romantici...

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Main Author: Miklós FEKETE
Format: Article
Language:English
Published: Babeș-Bolyai University 2012-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870
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author Miklós FEKETE
author_facet Miklós FEKETE
author_sort Miklós FEKETE
collection DOAJ
description The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romanticism. The musical analysis intends to identify and exemplify the most important lisztian procedures, through which the thematic material presented in the musical discourse of the Faust part will be mocked and distorted by the Mephistophelian character.
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-5c9ffdbb555f47f487922dee00d8ba812025-02-11T11:01:26ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-06-01571DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“Miklós FEKETE0https://orcid.org/0000-0002-1938-0600Babeș-Bolyai University, Faculty of Reformed Theology, Department of Reformed Theology and Musical Pedagogy, RO. 400535 Cluj-Napoca, Horea str. 7., E-mail: [email protected] The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romanticism. The musical analysis intends to identify and exemplify the most important lisztian procedures, through which the thematic material presented in the musical discourse of the Faust part will be mocked and distorted by the Mephistophelian character. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870Franz LisztFaust Symphony – third partanalysisthematic transformationaesthetic values
spellingShingle Miklós FEKETE
DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
Studia Universitatis Babeş-Bolyai. Musica
Franz Liszt
Faust Symphony – third part
analysis
thematic transformation
aesthetic values
title DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
title_full DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
title_fullStr DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
title_full_unstemmed DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
title_short DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
title_sort die lisztsche ironie in der schilderung des mephistophelischen im dritten teil der faust symphonie
topic Franz Liszt
Faust Symphony – third part
analysis
thematic transformation
aesthetic values
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870
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