DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“
The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romantici...
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Babeș-Bolyai University
2012-06-01
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Series: | Studia Universitatis Babeş-Bolyai. Musica |
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Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870 |
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author | Miklós FEKETE |
author_facet | Miklós FEKETE |
author_sort | Miklós FEKETE |
collection | DOAJ |
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The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romanticism. The musical analysis intends to identify and exemplify the most important lisztian procedures, through which the thematic material presented in the musical discourse of the Faust part will be mocked and distorted by the Mephistophelian character.
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format | Article |
id | doaj-art-5c9ffdbb555f47f487922dee00d8ba81 |
institution | Kabale University |
issn | 1844-4369 2065-9628 |
language | English |
publishDate | 2012-06-01 |
publisher | Babeș-Bolyai University |
record_format | Article |
series | Studia Universitatis Babeş-Bolyai. Musica |
spelling | doaj-art-5c9ffdbb555f47f487922dee00d8ba812025-02-11T11:01:26ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-06-01571DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“Miklós FEKETE0https://orcid.org/0000-0002-1938-0600Babeș-Bolyai University, Faculty of Reformed Theology, Department of Reformed Theology and Musical Pedagogy, RO. 400535 Cluj-Napoca, Horea str. 7., E-mail: [email protected] The third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romanticism. The musical analysis intends to identify and exemplify the most important lisztian procedures, through which the thematic material presented in the musical discourse of the Faust part will be mocked and distorted by the Mephistophelian character. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870Franz LisztFaust Symphony – third partanalysisthematic transformationaesthetic values |
spellingShingle | Miklós FEKETE DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ Studia Universitatis Babeş-Bolyai. Musica Franz Liszt Faust Symphony – third part analysis thematic transformation aesthetic values |
title | DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ |
title_full | DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ |
title_fullStr | DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ |
title_full_unstemmed | DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ |
title_short | DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ |
title_sort | die lisztsche ironie in der schilderung des mephistophelischen im dritten teil der faust symphonie |
topic | Franz Liszt Faust Symphony – third part analysis thematic transformation aesthetic values |
url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870 |
work_keys_str_mv | AT miklosfekete dielisztscheironieinderschilderungdesmephistophelischenimdrittenteilderfaustsymphonie |