THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE

At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. In 1979 a representative volume entitled Hungarian Psalms...

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Main Author: Éva PÉTER
Format: Article
Language:English
Published: Babeș-Bolyai University 2012-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8895
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author Éva PÉTER
author_facet Éva PÉTER
author_sort Éva PÉTER
collection DOAJ
description At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. In 1979 a representative volume entitled Hungarian Psalms edited by Sándor Arany was created, a volume that contained the adaptations. Selecting from this volume I would mention Jenő Ádám’s 8. Psalm, Lajos Bárdos’s 23. Psalm, Zoltán Kodály’s 50. Psalm and 114. Psalm.
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-5d1c5eb7d16144938a27bbe4f7ee07072025-02-11T11:01:21ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-12-01572THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATUREÉva PÉTER0https://orcid.org/0000-0003-2300-0575Babeş-Bolyai University, Faculty of Reformed Theology, Musical Pedagogy Department, RO-400535, Cluj-Napoca, Horea str. 7. E-mail: [email protected] At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. In 1979 a representative volume entitled Hungarian Psalms edited by Sándor Arany was created, a volume that contained the adaptations. Selecting from this volume I would mention Jenő Ádám’s 8. Psalm, Lajos Bárdos’s 23. Psalm, Zoltán Kodály’s 50. Psalm and 114. Psalm. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8895psalms in proseparaphrases of psalmsgenevan psalmscantus-firmus-motetta techniquepolyphonic imitation technique
spellingShingle Éva PÉTER
THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
Studia Universitatis Babeş-Bolyai. Musica
psalms in prose
paraphrases of psalms
genevan psalms
cantus-firmus-motetta technique
polyphonic imitation technique
title THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
title_full THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
title_fullStr THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
title_full_unstemmed THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
title_short THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE
title_sort genevan psalms 1562 in the hungarian choral literature
topic psalms in prose
paraphrases of psalms
genevan psalms
cantus-firmus-motetta technique
polyphonic imitation technique
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8895
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