Imagens precárias: inscrições tênues de violência ditatorial no Brasil

This text presents a reflexion on the difficulties of the inscription of the Brazilian civil-military dictatorship (1964-1985) and its violent stories. It develops an analysis of the precarious character of those inscriptions, which have to deal with an absence of eco in the public sphere. A privati...

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Main Author: Márcio Seligmann-Silva
Format: Article
Language:Spanish
Published: Universidade de Brasília 2014-01-01
Series:Estudos de Literatura Brasileira Contemporânea
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=323130679002
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author Márcio Seligmann-Silva
author_facet Márcio Seligmann-Silva
author_sort Márcio Seligmann-Silva
collection DOAJ
description This text presents a reflexion on the difficulties of the inscription of the Brazilian civil-military dictatorship (1964-1985) and its violent stories. It develops an analysis of the precarious character of those inscriptions, which have to deal with an absence of eco in the public sphere. A privatization of the memory work blocs the mourning and the juridical elaboration of the terrible facts of that period. The author tries to show the strategies of presentation of this past and its tough inscription departing from the works of artists (as Rosângela Rennó), photographers and novelists (as Renato Tapajós and Urariano Mota).
format Article
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institution Kabale University
issn 1518-0158
2316-4018
language Spanish
publishDate 2014-01-01
publisher Universidade de Brasília
record_format Article
series Estudos de Literatura Brasileira Contemporânea
spelling doaj-art-5e98fb784c854f169e1cb6dae7a7f33c2025-02-07T19:44:35ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182014-01-01431334Imagens precárias: inscrições tênues de violência ditatorial no BrasilMárcio Seligmann-SilvaThis text presents a reflexion on the difficulties of the inscription of the Brazilian civil-military dictatorship (1964-1985) and its violent stories. It develops an analysis of the precarious character of those inscriptions, which have to deal with an absence of eco in the public sphere. A privatization of the memory work blocs the mourning and the juridical elaboration of the terrible facts of that period. The author tries to show the strategies of presentation of this past and its tough inscription departing from the works of artists (as Rosângela Rennó), photographers and novelists (as Renato Tapajós and Urariano Mota).http://www.redalyc.org/articulo.oa?id=323130679002civilmilitary brazilian dictatorshipmemory privatizationart of memoryskiagraphia
spellingShingle Márcio Seligmann-Silva
Imagens precárias: inscrições tênues de violência ditatorial no Brasil
Estudos de Literatura Brasileira Contemporânea
civil
military brazilian dictatorship
memory privatization
art of memory
skiagraphia
title Imagens precárias: inscrições tênues de violência ditatorial no Brasil
title_full Imagens precárias: inscrições tênues de violência ditatorial no Brasil
title_fullStr Imagens precárias: inscrições tênues de violência ditatorial no Brasil
title_full_unstemmed Imagens precárias: inscrições tênues de violência ditatorial no Brasil
title_short Imagens precárias: inscrições tênues de violência ditatorial no Brasil
title_sort imagens precarias inscricoes tenues de violencia ditatorial no brasil
topic civil
military brazilian dictatorship
memory privatization
art of memory
skiagraphia
url http://www.redalyc.org/articulo.oa?id=323130679002
work_keys_str_mv AT marcioseligmannsilva imagensprecariasinscricoestenuesdeviolenciaditatorialnobrasil