SELF-SIMILARITY IN PITCH ORGANIZATION
In this study we intend to discuss the self-similarity concept, which can be thought of as an organizing principle of the pitch of the sound. We will put emphasis on the self-similarity aspect of pitch organization in different series created by Anton Webern, and in several modes conceived by Olivi...
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| Language: | English |
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Babeș-Bolyai University
2011-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8912 |
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| author | Adrian BORZA |
| author_facet | Adrian BORZA |
| author_sort | Adrian BORZA |
| collection | DOAJ |
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In this study we intend to discuss the self-similarity concept, which can be thought of as an organizing principle of the pitch of the sound. We will put emphasis on the self-similarity aspect of pitch organization in different series created by Anton Webern, and in several modes conceived by Olivier Massiaen, and Wilhelm Georg Berger. Also, we will investigate the author’s self-similar, non-octave-based, and full-chromatic mode of twenty-three notes, which led to the author’s compositions, such as Chaconne for guitar solo (1999), Fractus III for percussion and computer (2001), and Point. Line. Spot for string orchestra (2003).
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| format | Article |
| id | doaj-art-61b95e79fa774771b20ff45f8b98dba9 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2011-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-61b95e79fa774771b20ff45f8b98dba92025-02-11T11:01:36ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282011-06-01561SELF-SIMILARITY IN PITCH ORGANIZATIONAdrian BORZA0https://orcid.org/0000-0001-6744-566XCurrently he is a professor at the Gheorghe Dima Academy of Music. Address: 25, I.C. Bratianu, Cluj-Napoca. E-mail: [email protected] In this study we intend to discuss the self-similarity concept, which can be thought of as an organizing principle of the pitch of the sound. We will put emphasis on the self-similarity aspect of pitch organization in different series created by Anton Webern, and in several modes conceived by Olivier Massiaen, and Wilhelm Georg Berger. Also, we will investigate the author’s self-similar, non-octave-based, and full-chromatic mode of twenty-three notes, which led to the author’s compositions, such as Chaconne for guitar solo (1999), Fractus III for percussion and computer (2001), and Point. Line. Spot for string orchestra (2003). https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8912self-similaritytone-rowseriesmod |
| spellingShingle | Adrian BORZA SELF-SIMILARITY IN PITCH ORGANIZATION Studia Universitatis Babeş-Bolyai. Musica self-similarity tone-row series mod |
| title | SELF-SIMILARITY IN PITCH ORGANIZATION |
| title_full | SELF-SIMILARITY IN PITCH ORGANIZATION |
| title_fullStr | SELF-SIMILARITY IN PITCH ORGANIZATION |
| title_full_unstemmed | SELF-SIMILARITY IN PITCH ORGANIZATION |
| title_short | SELF-SIMILARITY IN PITCH ORGANIZATION |
| title_sort | self similarity in pitch organization |
| topic | self-similarity tone-row series mod |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8912 |
| work_keys_str_mv | AT adrianborza selfsimilarityinpitchorganization |