THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in eac...
Saved in:
Main Author: | Gabriela Coca |
---|---|
Format: | Article |
Language: | English |
Published: |
Babeș-Bolyai University
2013-12-01
|
Series: | Studia Universitatis Babeş-Bolyai. Musica |
Subjects: | |
Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
by: Gabriela COCA
Published: (2014-06-01) -
Dziecięce filozofowanie na tle romantycznej wizji szlachetnego dzikusa J.J. Rousseau
by: Maria Szczepska-Pustkowska
Published: (2015-06-01) -
Ubuntu as a Dramaturgical Tool for Building Community in Protests
by: Refiloe Lepere, et al.
Published: (2024-12-01) -
THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART
by: Gabriela COCA
Published: (2011-06-01) -
Respek vir die liturgiese teks: J. Calvyn en J.S. Bach
by: L. F. Schulze
Published: (2008-12-01)