ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU

It approaches to analysis some choral moments of cultic ritual of George Enescu's opera Oedipus, in the light source of inspiration to those of ancient Greek and Byzantine succession. The concept of harmony it is used in both meanings, given in Greek antiquity and in contemporary Enescu's...

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Main Author: Constanţa CRISTESCU
Format: Article
Language:English
Published: Babeș-Bolyai University 2011-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8937
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author Constanţa CRISTESCU
author_facet Constanţa CRISTESCU
author_sort Constanţa CRISTESCU
collection DOAJ
description It approaches to analysis some choral moments of cultic ritual of George Enescu's opera Oedipus, in the light source of inspiration to those of ancient Greek and Byzantine succession. The concept of harmony it is used in both meanings, given in Greek antiquity and in contemporary Enescu's. The case study is conducted on the four moments of the old Athenian cultic invocation of Act IV. It shows that the modal structures that Enescu uses are found in the diatonic and chromatic harmony of the ancient modal system, having continuity in the modal systems of Byzantine succession, until today. Also it is demonstrated the use by George Enescu of the ancient system of modulation (metabolos), used in the harmonic plane, integral, horizontal and vertical through innovative solutions.
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-6b6bad73fb834a93b4fbeff7e67317f12025-02-11T11:01:32ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282011-06-01561ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCUConstanţa CRISTESCU0https://orcid.org/0000-0002-7037-6594Bucovina Cultural Center (CCB), Suceava, Str. Universitatii nr. 48, Jud. Suceava, Romania, musicologist (artistically consultant), e-mail: [email protected] It approaches to analysis some choral moments of cultic ritual of George Enescu's opera Oedipus, in the light source of inspiration to those of ancient Greek and Byzantine succession. The concept of harmony it is used in both meanings, given in Greek antiquity and in contemporary Enescu's. The case study is conducted on the four moments of the old Athenian cultic invocation of Act IV. It shows that the modal structures that Enescu uses are found in the diatonic and chromatic harmony of the ancient modal system, having continuity in the modal systems of Byzantine succession, until today. Also it is demonstrated the use by George Enescu of the ancient system of modulation (metabolos), used in the harmonic plane, integral, horizontal and vertical through innovative solutions. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8937Ancient cultic choirharmonymonodypara-phonicrefrainunison harmony
spellingShingle Constanţa CRISTESCU
ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
Studia Universitatis Babeş-Bolyai. Musica
Ancient cultic choir
harmony
monody
para-phonic
refrain
unison harmony
title ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
title_full ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
title_fullStr ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
title_full_unstemmed ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
title_short ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
title_sort aspects of the harmony of cultic choirs from oedipus by george enescu
topic Ancient cultic choir
harmony
monody
para-phonic
refrain
unison harmony
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8937
work_keys_str_mv AT constantacristescu aspectsoftheharmonyofculticchoirsfromoedipusbygeorgeenescu