Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej
This article, while taking into account the mystical reality of a relic, defines gothic initiated by the abbot Surger with the construction of the first gothic basilica in Saint-Denis near Paris in the XII century, as a reality required to know the difference between individual invisible beauty and...
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| Format: | Article |
| Language: | English |
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The Pontifical University of John Paul II in Krakow
2013-11-01
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| Series: | Polonia Sacra |
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| Online Access: | http://czasopisma.upjp2.edu.pl/poloniasacra/article/view/380 |
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| author | Mirosław Bogdan |
| author_facet | Mirosław Bogdan |
| author_sort | Mirosław Bogdan |
| collection | DOAJ |
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This article, while taking into account the mystical reality of a relic, defines gothic initiated by the abbot Surger with the construction of the first gothic basilica in Saint-Denis near Paris in the XII century, as a reality required to know the difference between individual invisible beauty and corporeal visible beauty. When the differentiation of these types of beauty shows itself, not only thanks to the unknown in Romanism mystical structure of architecture in a gothic temple, but also through the construction of the gothic altar and hiding it in a choir enclosed by a lectorium in accordance to the zone of aisles, there is a necessity for a scientific definition of beauty connected with the then contemporary stylistic changes.
This is why this article presents the main schools of aesthetic thought from the XII century, which include: the aesthetic school of Hugon of St. Victor in Paris, Cistercian school with their representative St. Bernard from Clairvaux and the aesthetic school in Chartres. With the definition of artistic types of beauty, a lot of attention is applied to the separation and coexistence of spiritual and corporeal beauty. This decides about moral beauty and the beauty of clear existence, without which there is no right knowing of the ascetic Cistercian architecture and the reality of the gothic curtain altar. Finally it is emphasized, that the importance of twelfth century aesthetics is everlasting and had introduced order to gothic architectural space, which is still found in it now, as it had been in the time of abbot Surger of Saint-Denis.
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| format | Article |
| id | doaj-art-758c6903a1c84b4cb9a9ce0fa7e3b6fe |
| institution | Kabale University |
| issn | 1428-5673 2391-6575 |
| language | English |
| publishDate | 2013-11-01 |
| publisher | The Pontifical University of John Paul II in Krakow |
| record_format | Article |
| series | Polonia Sacra |
| spelling | doaj-art-758c6903a1c84b4cb9a9ce0fa7e3b6fe2025-02-11T23:02:20ZengThe Pontifical University of John Paul II in KrakowPolonia Sacra1428-56732391-65752013-11-0117210.15633/ps.380Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiejMirosław Bogdan0Politechnika Opolska This article, while taking into account the mystical reality of a relic, defines gothic initiated by the abbot Surger with the construction of the first gothic basilica in Saint-Denis near Paris in the XII century, as a reality required to know the difference between individual invisible beauty and corporeal visible beauty. When the differentiation of these types of beauty shows itself, not only thanks to the unknown in Romanism mystical structure of architecture in a gothic temple, but also through the construction of the gothic altar and hiding it in a choir enclosed by a lectorium in accordance to the zone of aisles, there is a necessity for a scientific definition of beauty connected with the then contemporary stylistic changes. This is why this article presents the main schools of aesthetic thought from the XII century, which include: the aesthetic school of Hugon of St. Victor in Paris, Cistercian school with their representative St. Bernard from Clairvaux and the aesthetic school in Chartres. With the definition of artistic types of beauty, a lot of attention is applied to the separation and coexistence of spiritual and corporeal beauty. This decides about moral beauty and the beauty of clear existence, without which there is no right knowing of the ascetic Cistercian architecture and the reality of the gothic curtain altar. Finally it is emphasized, that the importance of twelfth century aesthetics is everlasting and had introduced order to gothic architectural space, which is still found in it now, as it had been in the time of abbot Surger of Saint-Denis. http://czasopisma.upjp2.edu.pl/poloniasacra/article/view/380estetykapięknoołtarzepoka gotyckachór gotycki |
| spellingShingle | Mirosław Bogdan Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej Polonia Sacra estetyka piękno ołtarz epoka gotycka chór gotycki |
| title | Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej |
| title_full | Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej |
| title_fullStr | Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej |
| title_full_unstemmed | Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej |
| title_short | Definicja piękna w XII wieku a architektoniczna ekspozycja ołtarza w epoce gotyckiej |
| title_sort | definicja piekna w xii wieku a architektoniczna ekspozycja oltarza w epoce gotyckiej |
| topic | estetyka piękno ołtarz epoka gotycka chór gotycki |
| url | http://czasopisma.upjp2.edu.pl/poloniasacra/article/view/380 |
| work_keys_str_mv | AT mirosławbogdan definicjapieknawxiiwiekuaarchitektonicznaekspozycjaołtarzawepocegotyckiej |