Sergei Eisenstein in the Proletkult

This article examines some of the theoretical issues that exercised Sergei Eisenstein during the years 1920–1924 when he worked in the Russian Proletarian Cultural-Educational Organization (Proletkult), of which Aleksandr Bogdanov was one of the founders. We ask how far Eisenstein was influenced by...

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Main Authors: Biggart John, Bulgakowa Oksana
Format: Article
Language:English
Published: Sciendo 2021-12-01
Series:Cultural Science
Subjects:
Online Access:https://doi.org/10.2478/csj-2021-0006
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author Biggart John
Bulgakowa Oksana
author_facet Biggart John
Bulgakowa Oksana
author_sort Biggart John
collection DOAJ
description This article examines some of the theoretical issues that exercised Sergei Eisenstein during the years 1920–1924 when he worked in the Russian Proletarian Cultural-Educational Organization (Proletkult), of which Aleksandr Bogdanov was one of the founders. We ask how far Eisenstein was influenced by Marxism in general and by the ideas of Bogdanov in particular, and explain his exit from the Proletkult in terms of the unacceptability of his theory and practice of theatre and film to the Chairman of the Proletkult, Valeriyan Pletnëv. During these years the Agitprop Department of the Central Committee of the Communist Party, at Lenin’s behest, was taking steps to reduce the scope of activities of the Proletkult, discredit Bogdanov as a thinker, and exclude him from politics.
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spelling doaj-art-841bf2d5725e4be3b1f370bf929468302025-02-10T13:25:36ZengSciendoCultural Science1836-04162021-12-01131708410.2478/csj-2021-0006Sergei Eisenstein in the ProletkultBiggart John0Bulgakowa Oksana1independent scholar, New YorkUnited KingdomJohannes Guttenberg UniversitätMainz, GermanyThis article examines some of the theoretical issues that exercised Sergei Eisenstein during the years 1920–1924 when he worked in the Russian Proletarian Cultural-Educational Organization (Proletkult), of which Aleksandr Bogdanov was one of the founders. We ask how far Eisenstein was influenced by Marxism in general and by the ideas of Bogdanov in particular, and explain his exit from the Proletkult in terms of the unacceptability of his theory and practice of theatre and film to the Chairman of the Proletkult, Valeriyan Pletnëv. During these years the Agitprop Department of the Central Committee of the Communist Party, at Lenin’s behest, was taking steps to reduce the scope of activities of the Proletkult, discredit Bogdanov as a thinker, and exclude him from politics.https://doi.org/10.2478/csj-2021-0006lunacharskiyleninmeyerholdpletnëvstrikeproletkult theatre
spellingShingle Biggart John
Bulgakowa Oksana
Sergei Eisenstein in the Proletkult
Cultural Science
lunacharskiy
lenin
meyerhold
pletnëv
strike
proletkult theatre
title Sergei Eisenstein in the Proletkult
title_full Sergei Eisenstein in the Proletkult
title_fullStr Sergei Eisenstein in the Proletkult
title_full_unstemmed Sergei Eisenstein in the Proletkult
title_short Sergei Eisenstein in the Proletkult
title_sort sergei eisenstein in the proletkult
topic lunacharskiy
lenin
meyerhold
pletnëv
strike
proletkult theatre
url https://doi.org/10.2478/csj-2021-0006
work_keys_str_mv AT biggartjohn sergeieisensteinintheproletkult
AT bulgakowaoksana sergeieisensteinintheproletkult