The Poetics of Second Liberation

This article examines Césaire’s The Tragedy of King Christophe as a fundamental text for understanding the complexities of decolonization in postcolonial contexts. The essay rereads the play, focusing on the concepts of ‘bad decolonization’, ‘good decolonization’, and the necessity for a ‘second li...

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Main Author: Vincent R. Ogoti
Format: Article
Language:English
Published: Nordic Africa Research Network 2024-09-01
Series:Nordic Journal of African Studies
Subjects:
Online Access:https://mail.njas.fi/njas/article/view/1172
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author Vincent R. Ogoti
author_facet Vincent R. Ogoti
author_sort Vincent R. Ogoti
collection DOAJ
description This article examines Césaire’s The Tragedy of King Christophe as a fundamental text for understanding the complexities of decolonization in postcolonial contexts. The essay rereads the play, focusing on the concepts of ‘bad decolonization’, ‘good decolonization’, and the necessity for a ‘second liberation’ – a form of decolonization that transcends mere emancipation from physical subjugation. It analyses Césaire’s dramatization of Haiti’s revolutionary period to illuminate how his portrayal of decolonization not only prefigures but also advocates for the second liberation. Through a critical engagement with the works of Frantz Fanon and Achille Mbembe, the essay argues that effective decolonization within the postcolony must inherently culminate in self-awareness, the eradication of colonial vestiges, and the cultivation of a new consciousness that inspires what Mbembe (2021, 3) refers to as the “will to community” to describe a shared commitment to reconceptualizing community beyond the colonial legacies of separation, hierarchy, and exclusion.
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spelling doaj-art-8af839911d7042378b97917db31e88af2025-02-11T16:30:15ZengNordic Africa Research NetworkNordic Journal of African Studies1459-94652024-09-0133310.53228/njas.v33i3.1172The Poetics of Second LiberationVincent R. Ogoti0Clemson University This article examines Césaire’s The Tragedy of King Christophe as a fundamental text for understanding the complexities of decolonization in postcolonial contexts. The essay rereads the play, focusing on the concepts of ‘bad decolonization’, ‘good decolonization’, and the necessity for a ‘second liberation’ – a form of decolonization that transcends mere emancipation from physical subjugation. It analyses Césaire’s dramatization of Haiti’s revolutionary period to illuminate how his portrayal of decolonization not only prefigures but also advocates for the second liberation. Through a critical engagement with the works of Frantz Fanon and Achille Mbembe, the essay argues that effective decolonization within the postcolony must inherently culminate in self-awareness, the eradication of colonial vestiges, and the cultivation of a new consciousness that inspires what Mbembe (2021, 3) refers to as the “will to community” to describe a shared commitment to reconceptualizing community beyond the colonial legacies of separation, hierarchy, and exclusion. https://mail.njas.fi/njas/article/view/1172Haitidecolonizationpostcolonyhistorical dramarevolution
spellingShingle Vincent R. Ogoti
The Poetics of Second Liberation
Nordic Journal of African Studies
Haiti
decolonization
postcolony
historical drama
revolution
title The Poetics of Second Liberation
title_full The Poetics of Second Liberation
title_fullStr The Poetics of Second Liberation
title_full_unstemmed The Poetics of Second Liberation
title_short The Poetics of Second Liberation
title_sort poetics of second liberation
topic Haiti
decolonization
postcolony
historical drama
revolution
url https://mail.njas.fi/njas/article/view/1172
work_keys_str_mv AT vincentrogoti thepoeticsofsecondliberation
AT vincentrogoti poeticsofsecondliberation