Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)

In the late 1920s, detective fiction was entering its golden age and already had a huge readership. In addition to original crime stories, many highly formulaic works began to appear, whose authors had no ideas of their own, but wanted to use the publishing and financial success of the crime story f...

Full description

Saved in:
Bibliographic Details
Main Author: Anna Gemra
Format: Article
Language:deu
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-02-01
Series:Literatura i Kultura Popularna
Subjects:
Online Access:https://wuwr.pl/lkp/article/view/17813
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1825206246540574720
author Anna Gemra
author_facet Anna Gemra
author_sort Anna Gemra
collection DOAJ
description In the late 1920s, detective fiction was entering its golden age and already had a huge readership. In addition to original crime stories, many highly formulaic works began to appear, whose authors had no ideas of their own, but wanted to use the publishing and financial success of the crime story for their own purposes. Eventually, several sets of rules were created (most famously by S.S. Van Dine and Ronald Knox) intended for writers meaning to craft a good crime story. In Murder on the Orient Express, Agatha Christie reached for many solutions well known to readers from ‘poor crime stories,’ such as the appearance of the murderer, basing the investigation on hunches instead of deduction, introducing more than one villain, etc. She invited readers to a game, the stakes of which were solving a seemingly completely formulaic, but in fact extremely sophisticated murder mystery.
format Article
id doaj-art-8e67bf7c38f947c7b53826feff6ec67d
institution Kabale University
issn 0867-7441
2957-241X
language deu
publishDate 2025-02-01
publisher Wydawnictwo Uniwersytetu Wrocławskiego
record_format Article
series Literatura i Kultura Popularna
spelling doaj-art-8e67bf7c38f947c7b53826feff6ec67d2025-02-07T11:06:53ZdeuWydawnictwo Uniwersytetu WrocławskiegoLiteratura i Kultura Popularna0867-74412957-241X2025-02-013017118810.19195/0867-7441.30.1319582Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)Anna Gemrahttps://orcid.org/0000-0003-2389-4337In the late 1920s, detective fiction was entering its golden age and already had a huge readership. In addition to original crime stories, many highly formulaic works began to appear, whose authors had no ideas of their own, but wanted to use the publishing and financial success of the crime story for their own purposes. Eventually, several sets of rules were created (most famously by S.S. Van Dine and Ronald Knox) intended for writers meaning to craft a good crime story. In Murder on the Orient Express, Agatha Christie reached for many solutions well known to readers from ‘poor crime stories,’ such as the appearance of the murderer, basing the investigation on hunches instead of deduction, introducing more than one villain, etc. She invited readers to a game, the stakes of which were solving a seemingly completely formulaic, but in fact extremely sophisticated murder mystery.https://wuwr.pl/lkp/article/view/17813agatha christiemorderstwo w orient expressieherkules poirotreguły dobrego kryminałus.s. van dineronald knoxfizjonomikaschematkonwencja kryminału detektywistycznegogra z czytelnikiem
spellingShingle Anna Gemra
Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
Literatura i Kultura Popularna
agatha christie
morderstwo w orient expressie
herkules poirot
reguły dobrego kryminału
s.s. van dine
ronald knox
fizjonomika
schemat
konwencja kryminału detektywistycznego
gra z czytelnikiem
title Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
title_full Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
title_fullStr Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
title_full_unstemmed Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
title_short Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934)
title_sort herkules poirot i marny kryminal na marginesie powiesci agathy christie morderstwo w orient expressie 1934
topic agatha christie
morderstwo w orient expressie
herkules poirot
reguły dobrego kryminału
s.s. van dine
ronald knox
fizjonomika
schemat
konwencja kryminału detektywistycznego
gra z czytelnikiem
url https://wuwr.pl/lkp/article/view/17813
work_keys_str_mv AT annagemra herkulespoirotimarnykryminałnamarginesiepowiesciagathychristiemorderstwoworientexpressie1934