O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik

The analysis of Alejandra Pizarnik ́s poetry displays (to an attentive reader) a tangle of images that refer to one of the icons of Modern Poetry, the french writer Stéphane Mallarmé. However, it is noted, simultaneously, an extreme shift in the behavior of the poetic subject of the Argentinian writ...

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Main Author: Sérgio Bento
Format: Article
Language:Spanish
Published: Universidade de Brasília 2011-01-01
Series:Estudos de Literatura Brasileira Contemporânea
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=323127103012
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author Sérgio Bento
author_facet Sérgio Bento
author_sort Sérgio Bento
collection DOAJ
description The analysis of Alejandra Pizarnik ́s poetry displays (to an attentive reader) a tangle of images that refer to one of the icons of Modern Poetry, the french writer Stéphane Mallarmé. However, it is noted, simultaneously, an extreme shift in the behavior of the poetic subject of the Argentinian writer, who - instead of vanishing in the self-referent significant theater - as in Mallarmé ́s -, gets in fl ated and turns the external world into her extension. What this article defends is that such action happens as a feedback to the weakening and fragmentation processes that afflict the so-called contemporary self.
format Article
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institution Kabale University
issn 1518-0158
2316-4018
language Spanish
publishDate 2011-01-01
publisher Universidade de Brasília
record_format Article
series Estudos de Literatura Brasileira Contemporânea
spelling doaj-art-8f7994038eb640b682d26dc677fa2a182025-02-07T19:44:34ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182011-01-0138173181O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra PizarnikSérgio BentoThe analysis of Alejandra Pizarnik ́s poetry displays (to an attentive reader) a tangle of images that refer to one of the icons of Modern Poetry, the french writer Stéphane Mallarmé. However, it is noted, simultaneously, an extreme shift in the behavior of the poetic subject of the Argentinian writer, who - instead of vanishing in the self-referent significant theater - as in Mallarmé ́s -, gets in fl ated and turns the external world into her extension. What this article defends is that such action happens as a feedback to the weakening and fragmentation processes that afflict the so-called contemporary self.http://www.redalyc.org/articulo.oa?id=323127103012stéphane mallarméalejandra pizarnikcontemporary self
spellingShingle Sérgio Bento
O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
Estudos de Literatura Brasileira Contemporânea
stéphane mallarmé
alejandra pizarnik
contemporary self
title O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
title_full O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
title_fullStr O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
title_full_unstemmed O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
title_short O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik
title_sort o sujeito reconstruido sobre algumas imagens mallarmaicas na obra de alejandra pizarnik
topic stéphane mallarmé
alejandra pizarnik
contemporary self
url http://www.redalyc.org/articulo.oa?id=323127103012
work_keys_str_mv AT sergiobento osujeitoreconstruidosobrealgumasimagensmallarmaicasnaobradealejandrapizarnik