Finding a rhythm within

Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard. In this regard, polyphony serves as the central metaphor in this article. Initially, this musical metaphor acquired theologic...

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Main Author: Jan-Albert van den Berg
Format: Article
Language:English
Published: University of the Free State 2024-06-01
Series:Acta Theologica
Online Access:https://journals.ufs.ac.za/index.php/at/article/view/7980
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author Jan-Albert van den Berg
author_facet Jan-Albert van den Berg
author_sort Jan-Albert van den Berg
collection DOAJ
description Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard. In this regard, polyphony serves as the central metaphor in this article. Initially, this musical metaphor acquired theological meaning in the Christological reflection of the well-known German theologian Dietrich Bonhoeffer. Four idiomatic soundtracks, namely tonedeaf, rhythm, polyphonic narratives, and dance determine the structure of the article. Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. In this newly composed polyphonous melody, my own voice is audibly and rhetorically integrated with the resonant tone of development within practical theology and pastoral care. The new contribution offered by this article is found in the autobiographical pastoral reflections of persuasion on the newly composed polyphonic melody, creating a harmonious rhythm within identity and praxis.
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spelling doaj-art-9134ff12a94b406faca42e3a240757ea2025-02-11T09:29:17ZengUniversity of the Free StateActa Theologica1015-87582309-90892024-06-0110.38140/at.vi.7980Finding a rhythm withinJan-Albert van den Berg Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard. In this regard, polyphony serves as the central metaphor in this article. Initially, this musical metaphor acquired theological meaning in the Christological reflection of the well-known German theologian Dietrich Bonhoeffer. Four idiomatic soundtracks, namely tonedeaf, rhythm, polyphonic narratives, and dance determine the structure of the article. Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. In this newly composed polyphonous melody, my own voice is audibly and rhetorically integrated with the resonant tone of development within practical theology and pastoral care. The new contribution offered by this article is found in the autobiographical pastoral reflections of persuasion on the newly composed polyphonic melody, creating a harmonious rhythm within identity and praxis. https://journals.ufs.ac.za/index.php/at/article/view/7980
spellingShingle Jan-Albert van den Berg
Finding a rhythm within
Acta Theologica
title Finding a rhythm within
title_full Finding a rhythm within
title_fullStr Finding a rhythm within
title_full_unstemmed Finding a rhythm within
title_short Finding a rhythm within
title_sort finding a rhythm within
url https://journals.ufs.ac.za/index.php/at/article/view/7980
work_keys_str_mv AT janalbertvandenberg findingarhythmwithin