O artista popular e o contrato: lógicas divergentes nas produções musicais

The means of producing, distributing and consuming recorded music have been quickly changing since the end of the 20th century. Many investigations in different areas of the Human Sciences aimed at explaining and interpreting these means. The present article takes as its empirical object a work cont...

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Main Author: Mariana Mont\u2019Alverne Barreto Lima
Format: Article
Language:Portuguese
Published: Universidade do Vale do Rio dos Sinos (UNISINOS) 2016-01-01
Series:Ciências Sociais Unisinos
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=93846957013
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author Mariana Mont\u2019Alverne Barreto Lima
author_facet Mariana Mont\u2019Alverne Barreto Lima
author_sort Mariana Mont\u2019Alverne Barreto Lima
collection DOAJ
description The means of producing, distributing and consuming recorded music have been quickly changing since the end of the 20th century. Many investigations in different areas of the Human Sciences aimed at explaining and interpreting these means. The present article takes as its empirical object a work contract of “onerous assignment of fixed interpreta-tion” made between a Brazilian musical artist, João do Vale, and a big record label, CBS, in the 1980s. It shows how this juridical document, which is an institutional form of specific social bonds, reveals the strategy of a hegemonic business model of distribution in that period and how the dispositions of the agents involved in that process adjusted perfectly to that order. The text builds on the hypothesis that the conclusion of this sales contract shows the mark and domination of the phonographic field, of its organization and its functioning, considering bot the label and the artist.
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publishDate 2016-01-01
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
record_format Article
series Ciências Sociais Unisinos
spelling doaj-art-97b3f1cb2d0e4587bd5d0e50f94834812025-02-06T23:31:41ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Ciências Sociais Unisinos2177-62292016-01-01522253262O artista popular e o contrato: lógicas divergentes nas produções musicaisMariana Mont\u2019Alverne Barreto LimaThe means of producing, distributing and consuming recorded music have been quickly changing since the end of the 20th century. Many investigations in different areas of the Human Sciences aimed at explaining and interpreting these means. The present article takes as its empirical object a work contract of “onerous assignment of fixed interpreta-tion” made between a Brazilian musical artist, João do Vale, and a big record label, CBS, in the 1980s. It shows how this juridical document, which is an institutional form of specific social bonds, reveals the strategy of a hegemonic business model of distribution in that period and how the dispositions of the agents involved in that process adjusted perfectly to that order. The text builds on the hypothesis that the conclusion of this sales contract shows the mark and domination of the phonographic field, of its organization and its functioning, considering bot the label and the artist.http://www.redalyc.org/articulo.oa?id=93846957013popular artistphonographic marketmajor labelswork contractartistic careers
spellingShingle Mariana Mont\u2019Alverne Barreto Lima
O artista popular e o contrato: lógicas divergentes nas produções musicais
Ciências Sociais Unisinos
popular artist
phonographic market
major labels
work contract
artistic careers
title O artista popular e o contrato: lógicas divergentes nas produções musicais
title_full O artista popular e o contrato: lógicas divergentes nas produções musicais
title_fullStr O artista popular e o contrato: lógicas divergentes nas produções musicais
title_full_unstemmed O artista popular e o contrato: lógicas divergentes nas produções musicais
title_short O artista popular e o contrato: lógicas divergentes nas produções musicais
title_sort o artista popular e o contrato logicas divergentes nas producoes musicais
topic popular artist
phonographic market
major labels
work contract
artistic careers
url http://www.redalyc.org/articulo.oa?id=93846957013
work_keys_str_mv AT marianamontu2019alvernebarretolima oartistapopulareocontratologicasdivergentesnasproducoesmusicais