O artista popular e o contrato: lógicas divergentes nas produções musicais
The means of producing, distributing and consuming recorded music have been quickly changing since the end of the 20th century. Many investigations in different areas of the Human Sciences aimed at explaining and interpreting these means. The present article takes as its empirical object a work cont...
Saved in:
Main Author: | Mariana Mont\u2019Alverne Barreto Lima |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Universidade do Vale do Rio dos Sinos (UNISINOS)
2016-01-01
|
Series: | Ciências Sociais Unisinos |
Subjects: | |
Online Access: | http://www.redalyc.org/articulo.oa?id=93846957013 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Arte e criação artística em contexto urbano: um estudo de caso de política pública em Porto Alegre (RS, Brasil)
by: Ana Luiza Carvalho da Rocha, et al.
Published: (2017-01-01) -
Sociologia, cultura e arte: um debate entre espaços e tempos
by: Eliska Altmann
Published: (2018-01-01) -
The Work of Sharing
by: Annette Arlander, et al.
Published: (2024-12-01) -
A door to the unknown: crossing boundaries through picturebook art
by: Katarzyna Smyczyńska
Published: (2016-05-01) -
SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS
by: Adél FEKETE
Published: (2014-12-01)