THE GENESIS OF THE PIANO TRIO
The process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. A change in taste in the mid-18th century based on an appreciation for polyphony eventually determined the el...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2012-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8862 |
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| author | Marta CÎRLEJAN |
| author_facet | Marta CÎRLEJAN |
| author_sort | Marta CÎRLEJAN |
| collection | DOAJ |
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The process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. A change in taste in the mid-18th century based on an appreciation for polyphony eventually determined the elimination of the basso continuo, the particularization of the voices and equalized the importance of the different instruments of the trio. The contributions of J. S. Bach, G. F. Haendel, as well as the French harpsichordists, J. Ph. Rameau and L. G. Guillemain with their accompanied sonatas, J. Haydn and specially W. A. Mozart, introducing the technique of multiple thematic development marked the path of the piano trio becoming a concert genre in its own right.
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| format | Article |
| id | doaj-art-9a33dbc90f014cd99aac4adaf69e31e0 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2012-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-9a33dbc90f014cd99aac4adaf69e31e02025-02-11T11:01:28ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-06-01571THE GENESIS OF THE PIANO TRIOMarta CÎRLEJAN0“Gheorghe Dima” Music Academy, I.C.Brătianu Street No. 25, Cluj-Napoca, Romania. E-mail: [email protected] The process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. A change in taste in the mid-18th century based on an appreciation for polyphony eventually determined the elimination of the basso continuo, the particularization of the voices and equalized the importance of the different instruments of the trio. The contributions of J. S. Bach, G. F. Haendel, as well as the French harpsichordists, J. Ph. Rameau and L. G. Guillemain with their accompanied sonatas, J. Haydn and specially W. A. Mozart, introducing the technique of multiple thematic development marked the path of the piano trio becoming a concert genre in its own right. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8862piano triochamber musicbasso continuoViennese ClassicismHaydnMozart |
| spellingShingle | Marta CÎRLEJAN THE GENESIS OF THE PIANO TRIO Studia Universitatis Babeş-Bolyai. Musica piano trio chamber music basso continuo Viennese Classicism Haydn Mozart |
| title | THE GENESIS OF THE PIANO TRIO |
| title_full | THE GENESIS OF THE PIANO TRIO |
| title_fullStr | THE GENESIS OF THE PIANO TRIO |
| title_full_unstemmed | THE GENESIS OF THE PIANO TRIO |
| title_short | THE GENESIS OF THE PIANO TRIO |
| title_sort | genesis of the piano trio |
| topic | piano trio chamber music basso continuo Viennese Classicism Haydn Mozart |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8862 |
| work_keys_str_mv | AT martacirlejan thegenesisofthepianotrio AT martacirlejan genesisofthepianotrio |