I am hated, therefore I am: The Enemy in Yorùbá Imaginary
This essay will study how the Yorùbá conceptualize “ọ̀tá” or the enemy, a trope that recurs in various cultural phenomena such as music, prayers, and other social rituals. The Yorùbá worldview of the enemy has profound implications on the way they frame issues that affect their mental, physical, s...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
LibraryPress@UF
2021-12-01
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| Series: | Yoruba Studies Review |
| Subjects: | |
| Online Access: | https://ojs.test.flvc.org/ysr/article/view/129928 |
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| Summary: | This essay will study how the Yorùbá conceptualize “ọ̀tá” or the enemy, a trope that recurs in various cultural phenomena such as music, prayers, and other social rituals. The Yorùbá worldview of the enemy has profound implications on the way they frame issues that affect their mental, physical, social, and general well-being. Health studies, religious studies, and social ethics studies and analyses have mostly tried to investigate the enemy as a concept borne out of Yorùbá cosmology which serves as a conduit for superstition, fear, and other seemingly irrational behavior. In this essay, I frame the concept of “ọ̀tá” through the theatrical dialectic of antagonist/protagonist theory. The enemy, I argue, is the way the Yorùbá metaphorize all kinds of antagonism—material and immaterial ones—into an imaginative texture that gives it the tangibility they need to triumph against those situations. This essay will interrogate how this personification of antagonism is achieved by studying Ifá texts, Yorùbá popular music of a period, and contemporary Pentecostal prayers.
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| ISSN: | 2473-4713 2578-692X |