CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW
As mentioned in the title, the following work contains the analysis of one of the most important works of César Franck and of the French organ literature, the Grande pièce symphonique op. 17. In order to realize a proper performance of this monumental work it is necessary to run through a series of...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2014-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8831 |
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| _version_ | 1823858577269325824 |
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| author | Noémi MIKLÓS |
| author_facet | Noémi MIKLÓS |
| author_sort | Noémi MIKLÓS |
| collection | DOAJ |
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As mentioned in the title, the following work contains the analysis of one of the most important works of César Franck and of the French organ literature, the Grande pièce symphonique op. 17. In order to realize a proper performance of this monumental work it is necessary to run through a series of structural, technical and performance issues which are essential in the process of understanding Franck’s organ music. The following analysis is structured in two main parts: the first part discusses the form of the work emphasising its main structural sections, whilst the second part handles the performance and the technical problems regarding articulation, dynamics, tempo and style.
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| format | Article |
| id | doaj-art-bf068c3200384719b7b8618163303805 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2014-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-bf068c3200384719b7b86181633038052025-02-11T11:00:51ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-12-01592CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEWNoémi MIKLÓS0https://orcid.org/0000-0003-4965-4921Faculty of Reformed Theology and Music, Babeș-Bolyai University, Cluj-Napoca, Romania. Email: [email protected]. As mentioned in the title, the following work contains the analysis of one of the most important works of César Franck and of the French organ literature, the Grande pièce symphonique op. 17. In order to realize a proper performance of this monumental work it is necessary to run through a series of structural, technical and performance issues which are essential in the process of understanding Franck’s organ music. The following analysis is structured in two main parts: the first part discusses the form of the work emphasising its main structural sections, whilst the second part handles the performance and the technical problems regarding articulation, dynamics, tempo and style. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8831César Franckorgan symphonyformstructuredynamicstempo |
| spellingShingle | Noémi MIKLÓS CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW Studia Universitatis Babeş-Bolyai. Musica César Franck organ symphony form structure dynamics tempo |
| title | CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW |
| title_full | CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW |
| title_fullStr | CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW |
| title_full_unstemmed | CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW |
| title_short | CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW |
| title_sort | cesar franck s grande piece simphonique op 17 an analysis from the performer s point of view |
| topic | César Franck organ symphony form structure dynamics tempo |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8831 |
| work_keys_str_mv | AT noemimiklos cesarfrancksgrandepiecesimphoniqueop17ananalysisfromtheperformerspointofview |