LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES
The central idea of this study concerns the national identity in the operas of the Romanian composers from Transylvania during the interwar decades when Romanian intellectuality was concerned with the definition and redefinition of the culture of a recently made geopolitical entity and with the pro...
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| Language: | English |
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Babeș-Bolyai University
2014-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8820 |
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| author | Otilia Maria CONSTANTINIU |
| author_facet | Otilia Maria CONSTANTINIU |
| author_sort | Otilia Maria CONSTANTINIU |
| collection | DOAJ |
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The central idea of this study concerns the national identity in the operas of the Romanian composers from Transylvania during the interwar decades when Romanian intellectuality was concerned with the definition and redefinition of the culture of a recently made geopolitical entity and with the protection of this national „being” from protesters. National specificity, as a romantic heritage influenced by the herderian thinking, was an inspirational source in configuring the idea of authenticity, in this equation the main characters being the national language and the folksong. When a series of symbols and other particular aspects to nation like national history with its legendary heroes are attached to this characteristic features to the national Romanian culture, they find a favorable environment in the opera genre. When the opera is stimulated by an institution placed under the state patronage that leads into a national direction, the music resulted is conditioned by the external parameters. In the same time, this music must respond to the demand of aligning its language to the modernist techniques. The responsibility faced to the national personalization of the musical style and language that also had to keep an universal relevance, was a reaction of the interwar Romanian composers confronted almost simultaneously with what meant to be the shaping of the Romanian musical school of composition.
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| format | Article |
| id | doaj-art-ec752ca91a394513ba0e0d3561b55b78 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2014-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-ec752ca91a394513ba0e0d3561b55b782025-02-11T11:00:52ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-12-01592LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRESOtilia Maria CONSTANTINIU0Faculté d’Histoire et Philosophie de l’Université Babeş-Bolyai, Cluj-Napoca, e-mail : [email protected] The central idea of this study concerns the national identity in the operas of the Romanian composers from Transylvania during the interwar decades when Romanian intellectuality was concerned with the definition and redefinition of the culture of a recently made geopolitical entity and with the protection of this national „being” from protesters. National specificity, as a romantic heritage influenced by the herderian thinking, was an inspirational source in configuring the idea of authenticity, in this equation the main characters being the national language and the folksong. When a series of symbols and other particular aspects to nation like national history with its legendary heroes are attached to this characteristic features to the national Romanian culture, they find a favorable environment in the opera genre. When the opera is stimulated by an institution placed under the state patronage that leads into a national direction, the music resulted is conditioned by the external parameters. In the same time, this music must respond to the demand of aligning its language to the modernist techniques. The responsibility faced to the national personalization of the musical style and language that also had to keep an universal relevance, was a reaction of the interwar Romanian composers confronted almost simultaneously with what meant to be the shaping of the Romanian musical school of composition. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8820national identityoperanationalismnational musical stylemodernityTransylvania |
| spellingShingle | Otilia Maria CONSTANTINIU LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES Studia Universitatis Babeş-Bolyai. Musica national identity opera nationalism national musical style modernity Transylvania |
| title | LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES |
| title_full | LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES |
| title_fullStr | LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES |
| title_full_unstemmed | LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES |
| title_short | LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES |
| title_sort | le style national dans les oeuvres de l opera roumain en transylvanie pendant la periode entre les deux guerres |
| topic | national identity opera nationalism national musical style modernity Transylvania |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8820 |
| work_keys_str_mv | AT otiliamariaconstantiniu lestylenationaldanslesœuvresdeloperaroumainentransylvaniependantlaperiodeentrelesdeuxguerres |