The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God

The relationship between missionary Christianity and traditional African cultures was a prominent theme in post-colonial literature during and for many years after the era of decolonisation. In contrast to the nostalgic defensiveness of many Kenyan and other post-colonial African writers, perhaps m...

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Bibliographic Details
Main Author: F. Hale
Format: Article
Language:English
Published: University of the Free State 2007-06-01
Series:Acta Theologica
Online Access:https://journals.ufs.ac.za/index.php/at/article/view/2152
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Summary:The relationship between missionary Christianity and traditional African cultures was a prominent theme in post-colonial literature during and for many years after the era of decolonisation. In contrast to the nostalgic defensiveness of many Kenyan and other post-colonial African writers, perhaps most notably Ngugi wa Thiong’o, the Gikuyu novelist S.N. Ngubiah found not salvation but a burden in certain aspects of his precolonialist indigenous culture. In his novel A curse from God (1970) Ngubiah challenges obliquely but unmistakably the long-accepted position of his fellow Gikuyu (and first national leader of independent Kenya) Jomo Kenyatta, particularly as argued in Facing Mount Kenya, that a return to tribal folkways was a precondition to economic and social upliftment. This clash between a traditionalist and a modernist exemplifies the larger predicament facing African societies as they undergo rapid religio-cultural transformation.
ISSN:1015-8758
2309-9089