The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God

The relationship between missionary Christianity and traditional African cultures was a prominent theme in post-colonial literature during and for many years after the era of decolonisation. In contrast to the nostalgic defensiveness of many Kenyan and other post-colonial African writers, perhaps m...

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Main Author: F. Hale
Format: Article
Language:English
Published: University of the Free State 2007-06-01
Series:Acta Theologica
Online Access:https://journals.ufs.ac.za/index.php/at/article/view/2152
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author F. Hale
author_facet F. Hale
author_sort F. Hale
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description The relationship between missionary Christianity and traditional African cultures was a prominent theme in post-colonial literature during and for many years after the era of decolonisation. In contrast to the nostalgic defensiveness of many Kenyan and other post-colonial African writers, perhaps most notably Ngugi wa Thiong’o, the Gikuyu novelist S.N. Ngubiah found not salvation but a burden in certain aspects of his precolonialist indigenous culture. In his novel A curse from God (1970) Ngubiah challenges obliquely but unmistakably the long-accepted position of his fellow Gikuyu (and first national leader of independent Kenya) Jomo Kenyatta, particularly as argued in Facing Mount Kenya, that a return to tribal folkways was a precondition to economic and social upliftment. This clash between a traditionalist and a modernist exemplifies the larger predicament facing African societies as they undergo rapid religio-cultural transformation.
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spelling doaj-art-f4a9f9f7a66345c595d8dd094a2d4a8a2025-02-11T10:08:49ZengUniversity of the Free StateActa Theologica1015-87582309-90892007-06-0127110.38140/at.v27i1.2152The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from GodF. Hale0University of Stellenbosch The relationship between missionary Christianity and traditional African cultures was a prominent theme in post-colonial literature during and for many years after the era of decolonisation. In contrast to the nostalgic defensiveness of many Kenyan and other post-colonial African writers, perhaps most notably Ngugi wa Thiong’o, the Gikuyu novelist S.N. Ngubiah found not salvation but a burden in certain aspects of his precolonialist indigenous culture. In his novel A curse from God (1970) Ngubiah challenges obliquely but unmistakably the long-accepted position of his fellow Gikuyu (and first national leader of independent Kenya) Jomo Kenyatta, particularly as argued in Facing Mount Kenya, that a return to tribal folkways was a precondition to economic and social upliftment. This clash between a traditionalist and a modernist exemplifies the larger predicament facing African societies as they undergo rapid religio-cultural transformation. https://journals.ufs.ac.za/index.php/at/article/view/2152
spellingShingle F. Hale
The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
Acta Theologica
title The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
title_full The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
title_fullStr The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
title_full_unstemmed The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
title_short The critique of Gikuyu religion and culture in S.N. Ngubiah's A Curse from God
title_sort critique of gikuyu religion and culture in s n ngubiah s a curse from god
url https://journals.ufs.ac.za/index.php/at/article/view/2152
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