LA PRÉFIGURATION DU SPECTACLE D’OPÉRA
Departing from the idea that the opera is the most accomplished form of performance, this study proposes a review of its first manifestations. The purpose is that of clearifying the controversial evolution of the genre and the theatrical-musical forms that preceded it. In the beginning the opera wa...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2012-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8911 |
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| _version_ | 1823858525236887552 |
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| author | Diana TODEA |
| author_facet | Diana TODEA |
| author_sort | Diana TODEA |
| collection | DOAJ |
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Departing from the idea that the opera is the most accomplished form of performance, this study proposes a review of its first manifestations. The purpose is that of clearifying the controversial evolution of the genre and the theatrical-musical forms that preceded it. In the beginning the opera was supposed to be a complete performance where the musical, literary, and spectacular elements would combine perfectly. Taking into consideration these basic characteristics, we intend to analyse and structure the main genres that led to the emergence of the opera. At the same time we underline the profile and the role held by music starting with the Ancient Tragedy to the latest form that foreshadows the opera performance – the dramatic madrigal.
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| format | Article |
| id | doaj-art-f9ba1df32f6148db83fbc762d4247fca |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2012-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-f9ba1df32f6148db83fbc762d4247fca2025-02-11T11:01:19ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-12-01572LA PRÉFIGURATION DU SPECTACLE D’OPÉRADiana TODEA0https://orcid.org/0000-0003-3478-5865the Faculty of Psychology and Educational Sciences at the Babeş-Bolyai University, E-mail: [email protected] Departing from the idea that the opera is the most accomplished form of performance, this study proposes a review of its first manifestations. The purpose is that of clearifying the controversial evolution of the genre and the theatrical-musical forms that preceded it. In the beginning the opera was supposed to be a complete performance where the musical, literary, and spectacular elements would combine perfectly. Taking into consideration these basic characteristics, we intend to analyse and structure the main genres that led to the emergence of the opera. At the same time we underline the profile and the role held by music starting with the Ancient Tragedy to the latest form that foreshadows the opera performance – the dramatic madrigal. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8911operamusical theatreGreek tragedyreligious dramaliturgical dramavernacular drama |
| spellingShingle | Diana TODEA LA PRÉFIGURATION DU SPECTACLE D’OPÉRA Studia Universitatis Babeş-Bolyai. Musica opera musical theatre Greek tragedy religious drama liturgical drama vernacular drama |
| title | LA PRÉFIGURATION DU SPECTACLE D’OPÉRA |
| title_full | LA PRÉFIGURATION DU SPECTACLE D’OPÉRA |
| title_fullStr | LA PRÉFIGURATION DU SPECTACLE D’OPÉRA |
| title_full_unstemmed | LA PRÉFIGURATION DU SPECTACLE D’OPÉRA |
| title_short | LA PRÉFIGURATION DU SPECTACLE D’OPÉRA |
| title_sort | la prefiguration du spectacle d opera |
| topic | opera musical theatre Greek tragedy religious drama liturgical drama vernacular drama |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8911 |
| work_keys_str_mv | AT dianatodea laprefigurationduspectacledopera |