Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa

This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with e...

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Main Author: Regina R. Félix
Format: Article
Language:Spanish
Published: Universidade de Brasília 2011-01-01
Series:Estudos de Literatura Brasileira Contemporânea
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=323127102006
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author Regina R. Félix
author_facet Regina R. Félix
author_sort Regina R. Félix
collection DOAJ
description This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with each other. They are configured as appearance and absence, in shadow and light, and in voices that modulate silences and protests. The characters’ memories, disconnected and repetitive, are orchestrated according those aesthetic patterns as an attempt to unravel the absurdity of their situation.
format Article
id doaj-art-fe983f76c41a426687894892ff1eb5cd
institution Kabale University
issn 1518-0158
2316-4018
language Spanish
publishDate 2011-01-01
publisher Universidade de Brasília
record_format Article
series Estudos de Literatura Brasileira Contemporânea
spelling doaj-art-fe983f76c41a426687894892ff1eb5cd2025-02-07T19:44:34ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182011-01-013793103Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana LisboaRegina R. FélixThis article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. Tone, volume, and arrangement merge with each other. They are configured as appearance and absence, in shadow and light, and in voices that modulate silences and protests. The characters’ memories, disconnected and repetitive, are orchestrated according those aesthetic patterns as an attempt to unravel the absurdity of their situation.http://www.redalyc.org/articulo.oa?id=323127102006literature and other artsliterature and trauma literature and existentialismabsurdmemory and aestheticsadriana lisboa
spellingShingle Regina R. Félix
Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
Estudos de Literatura Brasileira Contemporânea
literature and other arts
literature and trauma literature and existentialism
absurd
memory and aesthetics
adriana lisboa
title Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
title_full Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
title_fullStr Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
title_full_unstemmed Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
title_short Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa
title_sort tom volume e arranjo no chiaroscuro da memoria sinfonia em branco de adriana lisboa
topic literature and other arts
literature and trauma literature and existentialism
absurd
memory and aesthetics
adriana lisboa
url http://www.redalyc.org/articulo.oa?id=323127102006
work_keys_str_mv AT reginarfelix tomvolumeearranjonochiaroscurodamemoriasinfoniaembrancodeadrianalisboa