LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

Subjects: Get full text

UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL by Mirona BENCE-MUK

“… The present article focuses its investigation on the place of direct and private interference of the literary text with mu100sic, being consequently dedicated to the “semantic-integralist” analysis reguarding a complete cultural-artistic object which is the musical theatre. Our approach follows the same evolution of the metaphorical dynamics, identified initially in the libretto Così fan tutte, outlining a parallel with the metaphoric dynamics of the musical discourse, by using the same strategies: dia-endo-epi-phorics. …”
Get full text

ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“…It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. …”
Get full text

ESSENTIAL PRINCIPLES OF VIOLIN INTERPRETATION by Cătălina GUŢANU

Get full text

APPROACHES TO THE AMPLE-FORM WORKS IN MUSIC SCHOOLS by Cătălina GUŢANU

Get full text