Al confine tra ufficialità e underground. Forme di istituzionalizzazione della ‘seconda cultura’ sovietica by Alice Bravin

“… From the second half of the 1970s, some organizations of unofficial and independent artists and writers were created in the Soviet Union, which were officially recognized by Soviet authorities: in 1976 in the Moscow City Committee of Graphic Artists a section of painting was set up that united non-formal artists who exhibited their works in the halls in Malaia Gruzinskaia street; in 1981 in Leningrad the literary club “Klub-81” was created, a unique organization of unsanctioned writers under the direct control of the KGB; in 1985 an alternative literary association, the “Klub Poeziia”, was also founded in Moscow. …”
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UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL by Mirona BENCE-MUK

“…Thus, our aim is to approach the integralist theses oriented, up to the present time, only towards the literary text, to another universe of cultural and artistic creation: the musical theatre. These correspondences refer to the existence of particular metaphoric strategies within the musical discourse, collaborating from the same position with the above mentioned strategies, presented in the text of the libretto in order to enhance the mystery and to articulate the metaphorical meaning existent in the final artistic text: libretto accompanied by the musical discourse. …”
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THE COMPLEXITY AND CHARACTERISTICS OF CHORAL ART by Luminiţa GUŢANU

“… The artistic act must be expressed technically and interpretatively. …”
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„INTERNET SYMPHONY No. 1”: RETHINKING THE ORCHESTRA AS A VIRTUAL COMMUNITY by Bianca ŢIPLEA TEMEŞ

“…The interaction between musicians is redefined within a multiplicity of contexts, providing a new framework for conceptualizing the artistic act as a matrix of integrative “multi-track creativity”. …”
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Small Elegies for America by Lindsey Freeman

“… Miniatures open us up to childhood memories, daydreaming, and nostalgia, but they can also alert us to the dangers and disappointments of our times. Many contemporary artists are utilizing small-scale artworks to represent difficult truths of contemporary American life, such as alienation, disenchantment, precarious housing, and economic insecurity writ large. …”
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VIOLETA DINESCU UND DER SCHLÜSSEL DER TRÄUME. JUBILÄUMS-PORTRÄT by Bianca ŢIPLEA TEMEŞ

“… Fusing together in her artistic background two utterly contrasting worlds such as Romania and Germany, the composer Violeta Dinescu succeded to achieve a unique, distinctive voice in contemporary composition. …”
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GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

“…This project was initiated by the head of the department - Călin Brăteanu, and the achiever musicologist dr., artistic consultant Constanţa Cristescu. The project of the reactivation of the traditional folkloric creation from Bucovina aimed the following: 1. the contemporary forms of artistic practice, and of scenically reconstitution; 2. the printing of specialized volumes addressed equally to lovers of folklore, as well to the unknowing peoples, to the practitioners, and to the specialists. …”
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USAGE OF COMPUTERISED MEANS IN VOCAL ASSESSMENT by Ana RUSU

“… This study investigates implementation of new technologies in vocal assessment pertaining to university degree artistic education. One of our objectives represents the collection of information regarding changes occurring in singing voice as a result of professional training. …”
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The spirituality of Andrei Rublev's Icon of the Holy Trinity by J. Reimer

“… This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Orthodox painter of icons and frescoes and whose work has influenced generations of Russian artists, theologians, writers and philosophers. It examines Rublev’s spirituality, both historically and theologically, with specific attention to the Icon of the Holy Trinity which is considered to be his most important work. …”
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LA RELATION ENSEIGNANT – ELÈVE / ETUDIANT DANS LE CADRE DU PROCESSUS INSTRUCTIF-ÉDUCATIF D’ÉDUCATION MUSICALE by Constantina BOGHICI

“…From the very beginning, we considered that the relation between educator and educated is essential when carrying out the teaching activity in the artistic domain. The few failures we recorded were caused by external causes, unrelated to the teaching process: the lack of native talent as far as the pupil/student was concerned, the family’s lack of interest for the artistic aspects, defectological elements, poor health, etc. …”
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The Form and Functioning of the Union of Czechoslovak Writers in the Late 1940s and Early 1950s in the Context of Czech Literature by Michal Bauer

“…The paradoxical role of writers and artists after 1948, i.e. to serve and to lead at the same time, is also discussed. …”
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Aktualizowanie potencjalności twórczej uczniów poprzez integralną ekspresję kulturową usytuowaną w sztukach wizualnych by Katarzyna Krasoń

“…The essence of the strategy lies in the specific organization of child’s perception process regarding a given visual art where the key issue is the artistic expression of the pupils, especially of paratheatrical nature. …”
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Errors in Latin Inscriptions on Renaissance Works of Fine Art by Lazer-Pankiv Olesia, Korolova Nataliia

“…The desire to become a part of the elite class pushed artists, their customers, friends or relatives to place Latin inscriptions on works of fine art. …”
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THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

“… The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. …”
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THE DIFFERENT ASPECTS OF MUSIC THERAPY by Magdolna SZABADI

“…The method sets music as its device, which is the most abstract one among the artistic branches, since its sounding forms “fly away” in space and time. …”
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THE PERFECTING OF THE ROMANIZATION PROCESS AND ITS INFLUENCE ON THE MUSICAL LIFE IN THE REPUBLIC OF MOLDOVA by Stela GUŢANU

“…The Byzantine music is the essential part of Moldova’s artistic and cultural past. It has been the stepping stone in the development of the Romanian sacred music. …”
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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

“…As a musical-theatrical composition, “Black Angels” reflects the spirit of American avant-garde, while at the same time representing an artistic manifest against war and terror. Finally yet importantly, the article attempts to familiarize the reader with a bizarre sound universe, bordering achievements in electronic music, and to promote the work of a highly original author. …”
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To Sing the New Song… About the Art of Aggiornamento by Michaela Christine Hastetter

“…The postmodern comprehension of aggiornamento, which continues the tradition in a certain artistic freedom from the origin, is different from the well-balanced aggiornamento understanding of the Council Fathers. …”
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