I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO by Adél FEKETE

“…Other such segments will be arias which bear bel canto influences (preghiere from Giovanna d'Arco and Stiffelio), but also ones illustrating the language transformation of the female prayer in more mature operatic works, such as Aida and Otello. …”
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