A FIRST COMPOSITIONAL ATTEMPT INTO THE WORLD OF SILENT SHORT FILMS – SANCTUARY BY NELIO COSTA (WITH MUSIC BY ŞERBAN MARCU) by Şerban MARCU

“…The study highlights the suggestions that the composer derived from the film, the musical solutions the composer came up with in order to “counterpoint” the visual discourse and the context in which the film was presented, at the 2nd edition of the InnerSound International New Arts Festival, in Bucharest, 2013. …”
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COMPOSITION: INSPIRATION OR TECHNIQUE? (A CRITIQUE ON THE MUSICAL COMPOSITION SYSTEMS) by Vangelis KARAFILLIDIS

“…Under this perspective one can study harmony, counterpoint, fugue, music morphology, serial composition techniques, etc. and utilize this knowledge in order to compose music. …”
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Rethinking the politics of vulnerability: neighborhood empowerment in Kansas City Missouri (USA) by Jacob Wagner

“…In contrast to the estimates of low community resilience in these neighborhoods, the author demonstrates that neighborhood empowerment is an important counterpoint to concentrated vulnerabilities. …”
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MOZART’S MINUET by Ecaterina BANCIU

“…Indications referring to character appear: Menuetto-galante, Menuetto Maestoso On conclusion, the initial simplicity of the phrase and harmony allowed a series of innovations required by the aesthetics of the Rococo: harmonic and tonal contrasts, the infiltration of new ternary styles and the counterpoint writing. …”
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