Dijital Dönemde Belgesel Film Yapımındaki Yenilikler Üzerine Bir Değerlendirme by Ayşe Gül Toprak

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The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

“…Déserts (1954), albeit only in intention, La procession de Verges (1955) and Poème électronque (1959) pioneeringly investigate different ways of understanding music in relation to moving images: from the fictional work to the documentary film, and to the multimedia experience. Only recently, now immersed in the digital production world of DAWs, does the new medium – as often happens – allow us to shed new light on the “old” analogue world and enable us to fully understand the visionary force of Varesi's aesthetics and the poignancy of his way of understanding music and images. …”
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The Relationship between Academic History and Audio-Visual History in Lithuania: A Closing of the Gap? by Rūta Šermukšnytė

“…The enhanced role of historians in the creation of Lithuanian documentary film and television is connected with changes in self-conception among audio-visual communications specialists (authors and their "supervising" critics) as well as among historians; these changes were visible by 1993. …”
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