Tunde Kelani: The Man Exceeds the Frame by Toyin Falola

“… The extraordinary announcement, coming from the Federal University of Agriculture, Abeokuta, that ace filmmaker Kelani will now be based there as a Fellow is heartwarming. …”
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Adebáyọ̀ Fálétí: The Passing of a Cultural Icon by Akin Adeṣọkan

“…Walking out the building with cultural critic Toyin Akinosho at the end of a visit with the filmmaker Tunde Kelani, I also find it quite chastening.   …”
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Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger by Xosé Somoza Medina

“…This article analyses the relationship between cinema and the city of Porto, from the first film episodes to the co-financing by the local Film Commission of the film Porto, by Brazilian-born filmmaker Gabe Klinger. The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…How much of this becomes an expression of the filmmaker through the images? This work was selected for exhibition at the International Visual Sociology Association conference in 2022. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

“…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses by Armando Andrade Zamarripa

“…In the first, its contemporary definition is proposed; In the following, we establish the distinction between the Making-of Documentary and its predecessors or other contemporary practices; Lastly, we approach its discursive intentions — as a promotional object of the film which it alludes to and of its filmmakers as “authors” — and its current uses, which promote an expansion of cinephilia and self- learning in the viewers. …”
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Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…This study presents key film works of Slovak cinema in the context of its development from the establishment of the independent Slovak Republic to the present day, with an emphasis on the increasingly prevalent inclination of Slovak filmmakers towards so-called genre film. The fact that Slovak cinema seems to have everything — except for an audience — can be considered a long-standing and persistent problem, but it does not explain the entire state of affairs. …”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Laguna de fracasos by Lagunaries

“…This group laboratory made up of dancers, performers, educators, researchers, filmmakers and archivists, takes the construction of collective knowledge and the potential of the virtual body as its nodal axis of research. …”
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