WHERE TWO WORLDS MEET: LIGETI AND ROMANIAN FOLK MUSIC by Bianca Ţiplea TEMEŞ

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LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

“…Romanian Concerto not only shows the impact our folk music had on the young Ligeti but also the way in which his collaboration with Romanian ethnomusicologists such as Mircea Chiriac influenced the composition of his first major orchestral piece. …”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…Thus, elements derived from classicism, romanticism, impressionism or even modernism are utilized in combination with Byzantine and Greek folk music timbre in the entire oeuvre of these composers. …”
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DIE MUSIKALISCHE ANALYSE DES WERKES „MYSTERIUM“ VON KISKAMONI-SZALAY MIKLÓS by Zoltán SZALAY

“…This modal character is present on a number of levels: the modal scales and melodies characteristic of folk music, plus those to be found in 19th and 20th century music, especially in the compositions of Bartók. …”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

“….), as well as rhythmic patterns specific to folk music. In dealing with the crowd scenes, the composer employs the entire sound potential provided by the choral voice parts, especially in the moments of climax and synthesis. …”
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