THE CONFLUENCE OF SCIENCE AND ARTISTIC INSPIRATION IN GYÖRGY LIGETI’S MUSICAL THINKING by Attila FODOR

“…He manifested during his an opened attitude towards (almost all kind of) music, though his output is basically dominated by several – extremely personal – dichotomies, which ultimately demonstrate a fundamental duality of his personality: science-art, craft-intuition, calculus-emotion, presence-distance, mechanic-kaleidoscopic, grotesque-absurd, manipulation-ecstasy. …”
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The persuasive function of the blood of Jesus in Matthew 26:28 by M.J. Nel

“…It is argued that the shift towards allusions and echoes when explaining Jesus’ death aligns with Matthew’s strategy that can be described as a kaleidoscopic atonement theory, in which he weaves various Old Testament themes together to construct a comprehensive theory of atonement in Matthew 20:28 and 26:28. …”
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