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- Law 1
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Management of Records and Clients Satisfaction at Magistrate Court at Kabale.
Published 2023“…The purpose of the study was to find out records management and clients' satisfaction in Magistrate Court, Kabale. The study was guided by objectives of the study; to identify the different types of records managed at Magistrate Court, Kabale and to find out the users satisfaction with records kept at Magistrate Court, Kabale. …”
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Magistrates’ Travelling Libraries: The Circulation of Normative Knowledge in the Portuguese Empire of the Late 18th Century
Published 2024-03-01“…Censorship sources allow us to identify the books chosen by these itinerant magistrates as being indispensable for the exercise of their judicial function. …”
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Sędziowie pokoju we Francji w czasach Rewolucji — zagadnienia ustrojowe a ideały oświecenia
Published 2025-02-01Subjects: Get full text
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Unlocking the English legal system /
Published 2020Table of Contents: “…The sources of law -- The English legal system and European law -- The doctrine of judicial precedent -- Statutory interpretation -- Legal reasoning -- Civil courts -- Alternative dispute resolution -- Criminal courts and procedure -- Appeals -- Funding -- Juries -- Lay magistrates -- The legal professions -- The judiciary -- Sentencing -- Legal skills and examination preparation.…”
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Appartenenze ed esclusioni
Published 2021-11-01“… From the second half of the 16th century onwards, Venice ordered the cities of its mainland dominions (Terraferma) to adopt substantial legislation and to create special magistrates aimed at countering the dangers posed by »disruptors of the quiet and peaceful life«: foreigners, beggars, pauperes, vagrants and bandits. …”
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Tocar, interpretar, escutar: praticar a música ou fazê-la agir?
Published 2019-12-01“… Neste artigo, Antoine Hennion retoma de forma magistral as questões da mediação sociológica. Socorrendo-se das particularidades da música, defende que esta fornece um modelo de abordagem das obras de arte que funciona numa dupla entrada: de um lado, a música é objeto de uma performance necessária da obra; mas do outro, a música assume-se como uma performance ativa de quem a aprecia (amador) no amplo sentido. …”
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