Byzantinische Rechtsgeschichte in Frankfurt – eine Bilanz by Wolfram Brandes

“… From 1974 to the end of 2020, the history of Byzantine law was researched in Frankfurt, initially funded by the German Research Foundation and then by the Göttingen Academy of Sciences. …”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“… The representatives of the Greek National School followed various stylistic trends according to their background, studies and aesthetical preferences. Thus, elements derived from classicism, romanticism, impressionism or even modernism are utilized in combination with Byzantine and Greek folk music timbre in the entire oeuvre of these composers. …”
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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

“…Ethnomusicology. Chapter I has six studies; four of them deal with different aspects of the Romanian music of a Byzantine tradition. …”
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ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU by Constanţa CRISTESCU

“…The case study is conducted on the four moments of the old Athenian cultic invocation of Act IV. …”
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El Greco's Italian paintings (1560-76) based on Bible texts by Estelle Alma Maré

“…At the age of nineteen El Greco, who was born in Crete in 1541 and was initially an icon painter in the Byzantine tradition, went to Venice. Through study and experiment, and by following the examples of other artists who had achieved artistic mastery and was of proven Catholic orthodoxy, he educated himself as an artist in the Western manner. …”
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