LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

“…At the same time we underline the profile and the role held by music starting with the Ancient Tragedy to the latest form that foreshadows the opera performance – the dramatic madrigal. …”
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REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

“…The analysis focuses on the relationship between musical techniques (tonal systems, rhythm, timbrality) and the literary text, highlighting the oscillation between rigour (leitmotifs, ostinatos, elements of reprise) and fantasy (improvisational writing – especially for the clarinet –, the madrigal-type discourse). …”
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