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  1. 201
    ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU

    ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU by Cristian BENCE-MUK

    Published 2013-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  2. 202
    UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL

    UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL by Mirona BENCE-MUK

    Published 2014-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  3. 203
    SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS

    SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

    Published 2014-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  4. 204
    “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN

    “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

    Published 2014-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  5. 205
    “ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN

    “ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN by Stela GUŢANU

    Published 2012-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  6. 206
    PROTECTING THE HARMONY – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN’S BOOK ABOUT AESTHETIC PIETY (ANGI ISTVÁN: A HARMÓNIA MARAD, PARTIUM KIADÓ, NAGYVÁRAD, 2013)

    PROTECTING THE HARMONY – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN’S BOOK ABOUT AESTHETIC PIETY (ANGI ISTVÁN: A HARMÓNIA MARAD, PARTIUM KIADÓ, NAGYVÁRAD, 2013) by Attila FODOR

    Published 2014-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  7. 207
    GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW -

    GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW - by Gabriela Coca

    Published 2014-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  8. 208
    REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL

    REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

    Published 2013-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  9. 209
    In Memoriam: Prof. Dr. Vasile SURD (1946 - 2024)

    In Memoriam: Prof. Dr. Vasile SURD (1946 - 2024) by Vasile ZOTIC, Diana ALEXANDRU

    Published 2024-12-01
    “…Studia Universitatis Babeş-Bolyai: Geographia…”
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  10. 210
    ASPECTS OF THE VOCAL-SYMPHONIC GENRE

    ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

    Published 2011-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  11. 211
    OPERA AND FILM – AN UNLIKELY MARRIAGE

    OPERA AND FILM – AN UNLIKELY MARRIAGE by Julianna KÖPECZI

    Published 2013-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  12. 212
    DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT

    DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

    Published 2012-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  13. 213
    DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“

    DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ by Miklós FEKETE

    Published 2012-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  14. 214
    THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE

    THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

    Published 2012-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  15. 215
    TYPICAL WEDDING TUNES OF THE NORTHERN-MEZŐSÉG (CÂMPIA TRANSILVANIEI)*

    TYPICAL WEDDING TUNES OF THE NORTHERN-MEZŐSÉG (CÂMPIA TRANSILVANIEI)* by Zoltán GERGELY

    Published 2012-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  16. 216
    SELF-SIMILARITY IN PITCH ORGANIZATION

    SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

    Published 2011-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  17. 217
    GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593)

    GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

    Published 2012-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  18. 218
    THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH

    THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

    Published 2013-12-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  19. 219
    ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET”

    ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

    Published 2012-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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  20. 220
    THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT

    THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

    Published 2013-06-01
    “…Studia Universitatis Babeş-Bolyai. Musica…”
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