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New Musical Writing Processes for Cinema
Published 2025-02-01Subjects: “…Digital Music and Cinema…”
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky
Published 2025-02-01“…In both cases, the presence of noise is effectively combined with music to create a very complex sound texture. …”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
Published 2012-01-01“…It will also be verified that this dialogue, on its turn, flows into the idea of expropriation of the subject, since the author recognizes, under the sign of the "self", the innumerable traces of the others in his writing. …”
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LA FRUSTRATION IDENTITAIRE. QUELQUES IDÉES DE MIHAI MITREA-CELARIANU SUR L’ÉCOLE ROUMAINE DE COMPOSITION
Published 2012-12-01“…Born in Bucarest in 1935, after the arrival of the communist regime, he was forced to leave the country and he installed himself in Paris, where he died in 2003. His way of writing music was largely influenced by the modern western music, the New Cinema and the New Novel (Alain Robbe-Grillet, Alain Resnais), the serialism, Karlheinz Stockhausen and the dreams theory. …”
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The Art and life of Alàgbà Fálétí – A Pic torial, Art and Artifacts Exhibition in Honor of Alàgbà Adébáyọ̀ Fálétí (1921- 2017) curated by Akinsola Adejuwon and Seyi Ogunjobi...
Published 2021-12-01“…Represented also are years of adolescence and expressions of early youthful forays under various tutelary influences, variegated working periods, writing and acting plus public service careers. Alàgbà Fálétí’s childhood coincided with the period when the British Colonial Government had taken over administration of entire geographical space known as Nigeria. …”
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