Unveiling the Role of Hahani (Paternal Aunts) in the VaTsonga Culture of South Africa by Stewart Lee Kugara, Lucky Sethuthuthu Vuma, Tsetselelane Decide Mdhluli

Get full text

LANGUAGE STYLE OF HUMOR ON STAND-UP COMEDY VIDEO by Merry Rullyanti, Nurdianto Nurdianto

Get full text

Towards a Tektology of Tektology by Tompsett Fabian

“…Using a diffractive methodology derived from Karen Barad, these two thinkers are brought into relationship through their impact upon the German Figurative Constructivists, a political-art movement which emerged from the Council Communist current grouped around the Berlin review Die Aktion. …”
Get full text

I am the bread of life: imagery in John 6:32-51 by J. G. van der Walt

Get full text

Dilema da identidade: os rataplãs do Olodum, políticas de significado e o campo etnopopular no Brasil by Edson Farias

Get full text

CHAOSKAMPF IN THE ORTHODOX BAPTISM RITUAL by Constantin Oancea

Get full text

Gender and Jewishness: a Greimassian analysis of Susanna by D. M. Kanonge

Get full text

The Great Trek as Exodus in J.D. Kestell's and N. Hofmeyr's De Voortrekkers of het dagboek van Izak van der Merwe by F. Hale

Get full text

Shipwreck Architecture by Simon Weir, Sara Rich

Get full text

Translation Analysis of Student’s Work (Study of Poetry Translation) by Syukril Khair, Bambang Suwarno, Arono Arono

Get full text

TROIS POÈMES DE STÉPHANE MALLARMÉ: A DEBUSSY-RAVEL COMPARISON by Attila FODOR

“…The two cycles of mélodies, composed by Debussy and Ravel in the same year 1913, represent not only one of the most curious coincidences of modern French music, but also offer a great opportuneness for scholars to investigate in comparison their creative view on the highly crafted and refined art of Mallarmé. Despite their large number of mélodies and a particular affinity for the symbolist poet, the relatively unnoticeable examples of settings based on his oeuvre shows an avoidance of the greatly musical and hermetic verses, characteristic for his mature style. …”
Get full text

Speaking of Animals: A Conceptual analysis of Animal Metaphors in Yoruba by Oluwadamilare Adisa

Get full text

Ouagadougou, éléments d’interrogations sur l’identité d’une architecture résidentielle postcoloniale ouverte by Noël SANOU & Mafati Gisèle HÉMA

Get full text

ALGORITHMIC THINKING IN HIGHER EDUCATION: DETERMINING OBSERVABLE AND MEASURABLE CONTENT by Marian Byrka, Andrii Sushchenko, Volodymyr Luchko, Galina Perun, Victoria Luchko

Get full text

Editorial by Daniel Halliday

Get full text

Leveraging Unity for 2D Pixel Game Development: Techniques and Best Practices by Wang Ke

“…Meanwhile, there has also been a pixel art revival in the game development industry. This research explores the process of creating a 2D pixel-art adventure game with the Unity engine, figuring out some common problems that developers face and efficient solutions to them. …”
Get full text

Adebáyọ̀ Fálétí: The Passing of a Cultural Icon by Akin Adeṣọkan

“…In more than an hour of chattering about the problems of Nigeria, I have been unaware of the presence in the same building of one of the iconic figures of the arts in Nigeria, probably at work making things even more complicated. …”
Get full text

Unveiling the Original Polychromy of Archaic Architecture: The Gigantomachy on the West Pediment of the Temple of Apollo at Delphi (6th c. B.C.) by Giasemi G. Frantzi, Georgios P. Mastrotheodoros, Panayiotis Theoulakis, Sotiria Kogou, Athanasia Psalti, Hariclia Brecoulaki

“…Crafted from porous stone and enhanced with plaster and paint, the surviving fragments differ markedly from the marble figures of the east pediment of the same temple. Among the preserved figures of the Gigantomachy are a standing male figure, possibly representing Apollo or Dionysos, a warrior female identified as Athena, and a recumbent male, likely symbolizing the Giant Enkelados. …”
Get full text