“L’OPERA SERIA” ET SES RÉFORMES

Melodrama or dramma per musica are terms describing the opera genre that was used for more than a century since its appearance. This genre states literary pretensions and reinforces the principle that governed this period, namely that the opera is nothing but "a solid branch of dramatic litera...

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Main Author: Diana TODEA
Format: Article
Language:English
Published: Babeș-Bolyai University 2014-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
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Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8807
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author Diana TODEA
author_facet Diana TODEA
author_sort Diana TODEA
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description Melodrama or dramma per musica are terms describing the opera genre that was used for more than a century since its appearance. This genre states literary pretensions and reinforces the principle that governed this period, namely that the opera is nothing but "a solid branch of dramatic literature."[1] In the early eighteenth century it was intended to save this "spectacular show" and purify it of all the adjacent and useless elements - overlapping plots, numerous characters, the mix of tragic elements and of puffs, abundant scenery and scenic machineries etc. The initiative come in this context from the men of letters. This reform, which was first of all a literary one led to the development of opera seria; half a century later, when one would focus again on the innovations of the genre there will be a second reform, this time more than dramatic since it will have solid musical and theoretical foundations. [1] «L’opéra ne constituait que un branche sur un tronc solide de la littérature dramatique», in Isabelle Moindrot, L’opéra seria ou le règne des castrats [Opera seria or the reign of the castrati],.Paris, Fayard,1993, p. 21.
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spelling doaj-art-40f08325f58c4eeb8e4eb4e1cccfc4652025-02-11T11:01:04ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-06-01591“L’OPERA SERIA” ET SES RÉFORMESDiana TODEA0Faculty of Psychology and Educational Sciences at the Babeş-Bolyai University, E-mail: [email protected] Melodrama or dramma per musica are terms describing the opera genre that was used for more than a century since its appearance. This genre states literary pretensions and reinforces the principle that governed this period, namely that the opera is nothing but "a solid branch of dramatic literature."[1] In the early eighteenth century it was intended to save this "spectacular show" and purify it of all the adjacent and useless elements - overlapping plots, numerous characters, the mix of tragic elements and of puffs, abundant scenery and scenic machineries etc. The initiative come in this context from the men of letters. This reform, which was first of all a literary one led to the development of opera seria; half a century later, when one would focus again on the innovations of the genre there will be a second reform, this time more than dramatic since it will have solid musical and theoretical foundations. [1] «L’opéra ne constituait que un branche sur un tronc solide de la littérature dramatique», in Isabelle Moindrot, L’opéra seria ou le règne des castrats [Opera seria or the reign of the castrati],.Paris, Fayard,1993, p. 21. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8807opera seriaopera stagingstage performanceAccademia dell’ ArcadiaZenoMetastasio
spellingShingle Diana TODEA
“L’OPERA SERIA” ET SES RÉFORMES
Studia Universitatis Babeş-Bolyai. Musica
opera seria
opera staging
stage performance
Accademia dell’ Arcadia
Zeno
Metastasio
title “L’OPERA SERIA” ET SES RÉFORMES
title_full “L’OPERA SERIA” ET SES RÉFORMES
title_fullStr “L’OPERA SERIA” ET SES RÉFORMES
title_full_unstemmed “L’OPERA SERIA” ET SES RÉFORMES
title_short “L’OPERA SERIA” ET SES RÉFORMES
title_sort l opera seria et ses reformes
topic opera seria
opera staging
stage performance
Accademia dell’ Arcadia
Zeno
Metastasio
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8807
work_keys_str_mv AT dianatodea loperaseriaetsesreformes